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CAC 04 13 2000(edit 4 4 Q" CULTURAL ARTS COMMISSION AGENDA La Quinta Civic Center Study Session Room 78-495 Calle Tampico - La Quinta, CA 92253 April 13, 2000 7:00 PM I. CALL TO ORDER A. Pledge of Allegiance B. Roll Call II. PUBLIC COMMENT The Chair reserves the right to limit discussion on any topic to five minutes or less. III. CONFIRMATION OF AGENDA Corrections, deletions or reorganization of the agenda. IV. CONSENT CALENDAR A. Approval of Minutes of March 9, 2000 B. Arts in Public Places Financial Report March 2000 C. Department Report for February & March 2000 V. PUBLIC HEARING VI. BUSINESS ITEMS A. Presentation by Artists for Civic Center Campus Artwork B. Community Picnic - April 29 C. Symposium for Cultural Development - November 2000 D. June Meeting Date VII. CORRESPONDENCE AND WRITTEN MATERIALS A. Letter to Joyce Spizer - Meet the La Quinta Artist B. Letter of Resignation from Jackie Rasmussen C. CVCA Annual Meeting VIII. COMMISSIONER ITEMS IX. ADJOURNMENT NEXT MEETING INFORMATION May 11, 2000 7:00 PM La Quinta Civic Center Study Session Room G:\MyData\CRISTAL\CAC\AGN4-13.wpd / U S � � f GF`y OF TN�O CULTURAL ARTS COMMISSION MEETING DATE: April 13, 2000 ITEM TITLE: Monthly Financial Report for Art in Public Places Funds BACKGROUND: The Community Services Department receives a monthly Financial Report from the Finance Department which consists of funds available through the Art In Public Places Fund. This report is transmitted for your review. RECOMMENDATION: Receive and file. MEMO.FR Previous Balance: $ 66,757.02 City of La Quinta Recap Arts in Public Places Available Funds 3/31/2000 Deposits collected through development $1,154,587.71 Interest earned 132,935.77 City Contribution 50,000.00 Total Sources 1,337,523.48 Less expenditures: Operating expenses (19,669.61) Art purchased (727,722.71) Total Uses (747,392.32) Equity Available before encumbrances and committments: 590,131.16 Add back Accounts Payable 0.00 Reduction for Interest Receivable 0.00 Cash Available before encumbrances and committments: 590,131.16 Less Encumbrances - 1999/2000 Operating Expenditure Authorization (5,000.00) Less Commitments: Balance of De Martino Sculpture for Civic Center (13,217.00) Balance of K.Emerson & A.Dematteis - Fritz Burns Park (960.37) Balance Hwy 111 TDC Shopping Center - Paid 0.00 Balance Hwy 111 TDC Shopping Center - Credits (9,418.07) Balance Hwy 111 TDC Shopping Center - Future (14,581.93) Balance Ministrelli TT25429 0.00 Deposits committed to Rancho La Quinta - Paid 0.00 Deposits committed to Rancho La Quinta - Credits 0.00 Balance of Art Fernandez - Fritz Burns Park 0.00 Balance Marcia Gibbons-L.Q. Car Wash 0.00 Balance Eagle Hardware -Credit 0.00 Balance Washington St. Bridge- N avarrete/Nolmes & Narver (1,284.00) Balance Washington St. Bridge-Navarrete/Nolmes & Narver (30,122.00) Balance Washington St. Bridge -Artwork Construction (12,710.50) Obelisks Pilot Program -City Street Markers (1,684.50) Landscaping for Artpiece-Hwy111 Mash. St (200.00) Civic Center Art Purchase 0.00 Construction of Base for New Art Piece (2,798.50) City Entrance Monuments (11,536.92) Obelisks Pilot Program -City Street Markers (12,834.50) City Entrance Monument Right -of -Way (#655) (15,000.00) Civic Center Campus (340,000.00) Total Commitments (466,348.29) Total available funds through 3/31/2000 $118,782.87 File: APP.WK4 City of La Quinta Arts in Public Places Recap. Expenditures Inception to 04/30/2000 Operating Expenses: Expended Conference - Phoenix 07/24/92 Bank of America 821.66 07/31/92 Meg Robertson 244.08 $1,065.74 10/15/92 A.E.S. 23.70 01/12/93 Jerry Allan 2,275.00 03/10/93 Regents - University of Calif. 105.00 03/31/93 Martin & Chapman 242.05 03/31/94 City of La Quinta Admin Fee 6,000.00 05/10/95 Rositas Shamis - Reimburse for supplies 35.91 06/30/98 Charrie Chappie Travel 325.21 06/30/98 Elaine Reynolds Travel 360.61 06/30/98 Rosita Shamis Travel 2,141.01 06/30/98 Susan Benay Travel 1,125.32 06/30/98 Americans For The Arts Registration 150.00 09/30/98 Susan Benay Travel - Reverse (1,125.32) 01/25/99 Art in La Quinta Inserts (Arrow Printing) 1,150.00 05/07/99 Recreation Brochures 473.50 05/29/99 Summer Brochures (Arrow Printing) 1,239.13 06/30/99 Patrick Welch - Anderson Travel 428.00 06/30/99 Welch/Reynolds - Atlanta Hilton 1,313.28 06/30/99 Susan Benay - Best Western 245.00 06/30/99 Ca Assembly of Local Arts 199.00 06/30/99 Welch/Reynolds - Americans for the Arts Reg. 600.00 06/30/99 Susan Benay - Travel 272.36 08/19/99 US Postmaster: 05/19/1999 Appropriation -Summer Brochure 160.00 12/14/99 US Postmaster: Brochure 160.00 01/08/00 Arrow Printing - Brochures 1,636.75 02/11/00 Travel & Conference - Credit (931.64) Total Operating Expenses $19,669.61 Total Balance of Art Purchases: Commitments Expended Commitments 06/09/92 Adams/Truman PTA 846.00 $846.00 0.00 04/14/93 Louis De Martino 73,500.00 60,283.00 13,217.00 06/29/94 K. Emerson & A. Dematteis 51,000.00 50,039.63 960.37 07/31/92 Hwy 111 TDC - Paid 47,578.99 47,578.99 0.00 07/31/92 Hwy 111 TDC - Credits 10,810.63 1,392.56 9,418.07 . 07/31/92 Hwy 111 TDC - Future 36,610.38 22,028.45 14,581.93 12/15/1992 Ministrelli TT25429 15.000.00 15,000.00 0.00 06/06/1995 Bear Creek Path Art Work 5,000.00 5,000.00 0.00 01/16/1996 Fritz Burns Park 16,786.00 16,786.00 0.00 05/21/1996 Rancho La Quinta - Paid 35,000.00 35,000.00 0.00 05/21/1996 Rancho La Quinta - Credit 35,000.00 35,000.00 0.00 12/17/96 Fritz Burns Park - Art Fernandez 37,000.00 37,000.00 0.00 06/17/97 Marcia Gibbons-L.Q. Car Wash 10.000.00 10,000.00 0.00 06/17/97 Eagle Hardware -Credit 43,000.00 43,000.00 0.00 05/05/98 Washington St. Bridge-Navarrete/Holmes & Nar 3,000.00 1,716.00 1.284.00 09/15/98 Washington St. Bridge-Navarrete/Holmes & Nar 39,500.00 9.378.00 30,122.00 10/20/98 Washington St. Bridge -Artwork Construction 21,999.00 9,288.50 12,710.50 07/07/98 Obelisks Pilot Program -City Street Markers 14,000.00 12,315.50 1,684.50 07/07/98 Landscaping for Artpiece-Hwyl 1 1/Wash. St 19,000.00 18,800.00 200.00 03/16/99 Civic Center Art Purchase 7,327.00 7,327.00 0.00 04/06/99 Construction of Base for New Art Piece -City Hal 4,000.00 1,201.50 2,798.50 05/18/99 City Entrance Monuments 293,113.00 291,038.94 2,074.06 07/01/99 Obelisks Pilot Program -City Street Markers 20,000.00 8,540.50 11,459.50 09/07/99 City Entrance Monument Right -of -Way (#655) 15,000.00 15,000.00 0.00 01/18/2000 Civic Center Campus 340,000.00 0.00 340,000.00 Total Art Purchases $1 194 071.00 $753 560.57 $440 510.43 File: APP.WK4 City of La Quinta Recap Arts in Public Places Interest Earned FY 1990/91 FY 1991 /92 FY 1992/93 FY 1993/94 FY 1994/95 FY 1995/96 FY 1996/97 FY 1997/98 FY 1998/99 Total Accumulated Interest FY 1999/00 Interest YTD Interest Through Annual Interest 3,525.59 11,646.54 12,156.96 7,137.38 11,444.17 14,109.65 16,170.79 14,845.19 28,328.00 13,571.50 04/30/2000 132,935.77 File: APP.WK4 � z V S OF CULTURAL ARTS COMMISSION MEETING DATE: April 13, 2000 ITEM TITLE: Monthly Department Report for February & March 2000 RECOMMENDATION: Receive and file. BACKGROUND: The Community Services Department completes a monthly Department Report consisting of attendance figures for all programs, upcoming events and meetings attended, as well as a revenue report for the month. The Department Report is transmitted to the City Council on the second Council meeting of every month. MEMO.DR v � �F 4� CFM OF TO: HONORABLE MAYOR AND MEMBERS OF THE CITY COUNCIL FROM: MARNI KUNSMAN, RECREATION SUPERVISOR-4' VIA: DODIE HORVITZ, COMMUNITY SERVICES DIRECTO DATE: MARCH 21, 2000 SUBJECT: TRANSMITTAL COMMUNITY SERVICES DEPARTMENT REPORT FOR THE MONTH OF FEBRUARY 2000. UPCOMING EVENTS OF THE COMMUNITY SERVICES DEPARTMENT FOR THE MONTH OF APRIL 2000: April 1 Annual La Quinta/Pizza Hut 2 on 2 Grass Volleyball Tournament, Adams Park April 1 Golf, The Simple Truth, Golf Lessons, La Quinta Golf Ranch April 4 French Conversation Classes, Session II, Senior Center April 5 Start Your Own Internet Business, Evening Seminar, La Quinta Senior Center April 7 Excursion, Shop Fashion Island in Newport Beach April 8 Chinese Tea, Cultural History & Tasting, La'Quinta Boys & Girls Club April 8 Microsoft Access, Computer Seminar, La Quinta Boys & Girls Club April 10 *Putting Contest April 10 *Estate Planning Seminar April 10 *Tennis Social April 11 Weight Loss & Nutrition, Senior Center April 11 Ballroom Dance Classes, Session III, La Quinta High School April 12 Start Your Own Internet Business, Evening Seminar, La Quinta Senior Center April 13 *Volunteer Recognition Luncheon April 13 *Free Legal Consultation April 14 *Senior Potluck Tennis Tournament at Fritz Burns Park April 17 Spring Break, Fritz Burns Park Rec Room, Camelot Park Excursion April 17 *Financial Seminar April 18 *Free Hearing Consultation & Hearing Aid Check April 18 Spring Break, Fritz Burns Park Rec Room, Ice Skating Excursion April 19 Spring Break, Fritz Burns Park Rec Room, Party in the Park April 20 Spring Break, Fritz Burns Park Rec Room, Trip to the Movies April 20 *Healthy Cooking Class 01 April 21 Spring Break, Fritz Burns Park Rec Room, Oasis Water Park Finale April 24 *Mature Driver's Course April 24 Beginning Computer Classes, Session II, La Quinta Boys & Girls Club April 25 Beginning Computer Classes, Session II, La Quinta Boys & Girls Club April 26 - Intermediate Computers, Session II, La Quinta Boys & Girls Club April 27 Culture in the Courtyard, Civic Center * Senior Center Program, Class or Event T4t* 4 .fwQ" Community Services Department Attendance Report for the Month of February 2000 Summary Sheet Program 2000 1999 Variance Meetings Per Month 2000 199E Leisure Classes 459 273 186 33 29 Special Events 77 64 13 2 2 Adult Sports 493 210 283 12 9 Senior Center 2758 2513 245 158 133 Program Totals 3787 3060 727 205 173 Information/Referrals Senior Center 948 818 130 20 18 Total 948 818 130 20 18 Sports Complex Use AYSO 550 400 150 8 4 LQ Sports & Youth 800 600 200 4 1 Total 1350 1000 350 12 5 Total Programs 6085 4878 1207 237 196 Volunteer Hours Senior Center 1162 909 253 Meals on Wheels 48 63 -15 Community Services 9 0 9 LQHS Interact 28 20 8 Total Volunteer Hours 12471 9921 255 Monthly Revenue Senior Center $ 7,985.00 1 $ 7,041.00 $ 944.50 Community Services $ 7,249.00 $ 4,524.00 $ 2,725.00 Rental Income $ 1,072.50 $ 495.00 $ 577.50 Total Revenue $ 16,306.50 $12,060.00 $ 4,247.00 Revenue Year to Date Senior Center $52,149.00 $32,093.91 $20,055.09 Community Services $44,552.00 $33,293.00 $11,259.00 Rental Income $6,412.50 $11,458.00 -$5,045.50 Total Revenue to Date $103,113.50 $76,844.91 $26,268.59 Community Services Program Report for February 2000 2000 2000 1999 1999 2000 1999 Participants Total Participation Participants Total Participation Variance Meetings Meetings Leisure Classes Low Impact Aerobics 20 •100 9 63 37 5 7 Beg. Computers Mon. 10 30 9 36 -6 3 4 Beg. Computers Tues. 10 40 10 40 0 4 4 Beg. Computers Wed. 10 40 10 40 0 4 4 Beg. Computers Th. 10 40 10 40 0 4 4 French Conversation 28 112 0 0 112 4 0 Mastering Excel 5 5 0 0 5 1 0 Beg. Ballroom Dance 13 52 9 54 -2 4 6 Int. Ballroom Dance 10 40 0 0 40 4 0 Totals 116 459 57 273 186 33 29 2000 2000 1999 1999 2000 1999 Participants Total Participation Participants Total Participation Variance Meetings Meetings Special Events Culture in the Courtyard 20 20 15 15 5 1 1 Tiny Tot Olympics 57 " 57 49 49 8 1 1 Totals 1 771 77 64 64 13 2 2 2000 2000 1999 1999 2000 1999 Participants ITotal Participation Participants Total Participation Variance Meetings Meetings Adult Sports Open Basketball M/T 133 133 30 30 103 9 8 Adult Soccer League 120 360 180 180 180 3 1 Totals 253 493 210 210 283 12 9 Senior Center Attendance 2000 Registered Participants 2000 1999 1999 otaF_ —Wei-9—is—te—rei-d Total Meetings Partici anon artici ants Participation Variance 20001 1999 Senior Activities Ballroom Dance Class, Comp 12 12 0 0 12 1 0 Bridge, ACBL 300 300 296 296 4 4 4 Bridge, Duplicate/Social 493 493 383 383 110 10 11 Creative/Reminisce Writing Clubs 42 42 39 39 3 8 4 Dog Training, Comp Class 15 15 21 21 -6 1 1 Golden Tones 126 126 51 51 75 9 4 Ice Cream Social 39 39 32 32 7 31 2 Monthly Luncheons 180 180 101 101 79 21 1 Movie Time 78 78 29 29 49 8 4 Nabisco Putting Contest 91 91 103 103 -12 1 1 Putting Tournament 8 8 24 24 -16 1 1 Seminars 73 73 12 12 61 5 3 Television Viewing 29 29 55 55 -26 n/a n/a Tennis 169 169 83 83 86 10 5 Tennis Social 14 14 8 8 6 1 1 Senior Activity Total 1669 1669 1237 1237 432 64 42 Senior Leisure Courses Ballroom Dance 18 23 24 94 -71 3 8 Ceramics 12 45 12 37 8 4 4 Computer 89 164 95 179 -15 24 32 Computer Tutor 23 23 7 7 16 9 2 Dog Training Class 13 13 0 0 13 1 0 Exercise 72 456 87 438 18 15 15 Healthy Cooking Class 14 15 17 18 -3 1 1 Spanish Lessons 25 18 41 123 -105 2 3 Video Production 5 20 0 0 20 4 0 Senior Leisure Courses Total 271 777 283 896 -119 63 65 Senior Leisure Classes Arts and Crafts 25 25 23 23 2 4 4 Bridge Lessons 93 93 280 280 -187 6 12 Painting 28 28 22 22 6 4 4 Quilting 46 46 0 0 46 4 0 Tai Chi 37 37 0 0 37 5 0 Tap Dance 62 62 36 36 26 5 3 Yoga 21 21 19 19 2 3 3 Senior Leisure Classes Total 312 312 380 .380 -68 31 26 TOTAL SENIOR PROGRAMS 2252 2758 1900 2513 245 158 133 Senior Services A. A.R.P. "55 Alive" 48 48 38 38 10 2 2 A.A.R.P. Tax -Aide 54 54 47 47 7 5 4 Ambassadors 119 119 47 47 72 n/a n/a Blood Pressure Check 63 63 70 70 -7 5 4 FIND Food Distribution 388 388 380 380 8 4 4 Hearing Consultation 4 4 5 5 -1 1 1 Information/Referral/Outreach 223 223 211 211 12 n/a n/a Legal Consultation 17 17 7 7 10 1 1 Medicare Consultation 26 26 2 2 24 n/a n/a Share Meetings/Sign-up 6 6 11 11 -5 2 2 TOTAL SENIOR SERVICES 948 948 8181 818 1301 201 18 SENIOR CENTER TOTAL 32001 3706 2718 3331 375 178 151 Page 3 �o G�oZ • ��1�'IY� N V � �cMOF 1��0 TO: HONORABLE MAYOR AND MEMBERS OF THE CITY COUNCIL fy FROM: MARNI KUNSMAN, RECREATION SUPERVISOR VIA: DODIE HORVITZ, COMMUNITY SERVICES DIRECTO DATE: APRIL 18, 2000 SUBJECT: TRANSMITTAL COMMUNITY SERVICES DEPARTMENT REPORT FOR THE MONTH OF MARCH 2O00. UPCOMING EVENTS OF THE COMMUNITY SERVICES DEPARTMENT FOR THE MONTH OF MAY 2000: May 3 *"Nutrition, Diet and Supplements," Health Seminar May 3 Low Impact Aerobics Plus, La Quinta High School May 5 Shopping Excursion to Fashion Island in Newport Beach May 8 *Putting Contest May 8 *Tennis Social May 9 *Congress Woman Mary Bono's Mobile Office May 10 *"The Heart of the Matter" Seminar May 10 Start Your Own Internet Business, Evening Seminar, La Quinta Senior Center May 11 *Hoedown Luncheon May 13 Mastering Microsoft Word, Computer Seminar, La Quinta Boys & Girls Club May 16 *Free Hearing Consultation and Hearing Aid Check May 20 Shopping Excursion to Algodonas Mexico May 20 *"Step Out for Seniors" Walk May 20 Beginning Microsoft Excel, Computer Seminar, La Quinta Boys & Girls Club May 22 *Mature Driver's Course May 24 Start Your Own Internet Business, Evening Seminar, La Quinta Senior Center * Senior Center Program, Class or Event T4ht 4 4v Q" Community Services Department Attendance Report for the Month of March 2000 Summary Sheet Program 2000 1999 Variance Meetings Per Month 2000 1999 Leisure Classes 520 189 331 37 17 Special Events 121 7 114 3 1 Adult Sports 572 485 87 12 12 Senior Center 2741 2372 369 178 122 Program Totals 3964 3053 901 230 152 Information/Referrals Senior Center 1083 1142 -59 18 20 Total 1083 1142 -69 18 20 Sports Complex Use AYSO 100 40 60 6 1 LQ Sports & Youth 2300 1542 758 25 23 Total 2400 1582 818 31 24 Total Programs 7437 5777 1660 279 196 Volunteer Hours Senior Center 1114 951 163 Meals on Wheels 66 66 0 Total Volunteer Hours 1180 1,017 163 Monthly Revenue Senior Center $ 7,497.50 $ 4,573.00 $ 2,924.50 Community Services $ 5,232.00 $ 8,346.00 $3,114 Rental Income $ 550.00 $ 994.00 $444.00 Total Revenue $13,279.50 $ 13,913.00 $ (633.50 Revenue Year to Date Senior Center $59,646.50 $27,520.91 $32,125.59 Community Services $60,971.70 $41,639.00 $19,332.70 Rental Income $6,962.50 $12,452.00 -$5,489.50 Total Revenue to Date $127,580.70 $81,611.91 $45,968.79 Community Services Program Report for March 2000 2000 2000 1999 1999 2000 1999 Participants Total Participation Participants Total Participation Variance Meetings Meetings Leisure Classes Low Impact Aerobics 21 147 16 96 51 7 6 Beg. Computers Mon. 10 40 10 30 10 4 3 Beg. Computers Tues. 9 36 10 30 6 4 3 Beg. Computers Wed. 9 36 7 21 15 4 3 Beg. Computers Th. 10 40 6 12 28 4 2 French Conversation 28 112 0 0 112 4 0 Mastering Word 6 6 0 0 6 1 0 Beginning Excel 7 7 0 0 7 1 0 Beg. Ballroom Dance 14 56 0 0 56 4 0 Int. Ballroom Dance 10 40 0 0 40 4 0 Totals 1 1241 520 49 189 331 37 17 2000 2000 1999 1999 2000 1999 Participants Total Participation Participants Total Participation Variance Meetings Meetings Special Events Culture in the Courtyard 15 15 7 7 8 1 1 Neighborhood Pet Show 20 20 0 0 20 1 0 AI odonas Excursion 1 861 86 0 0 86 1 0 Totals 1 1211 1211 71 71 1141 31 1 7000 2000 1999 1999 2000 1999 Participants Total Participation Participants Total Participation Variance Meetings Meetings Adult Sports Open Basketball M!T 92 92 45 45 47 8 10 Adult Soccer League 120 480 220 440 40 4 2 Totals 2121 572 265 485 87 12 12 Senior Center Attendance late Meetings Participants a ici ion lFaVicipants Participation anance Senior Activities Ballroom Dance, Complimentary 9 9 0 0 9 1 0 Bridge, ACBL 320 320 371 371 -51 5 5 Bridge, Duplicate/Social 593 593 508 508 85 13 14 Creative/Reminisce Writing Clubs 35 35 44 44 -9 9 5 Golden Tones 136 136 38 38 98 7 3 Ice Cream Social 47 47 76 76 -29 4 5 Lewiston Sisters Musical 35 35 0 0 35 . 1 0 Monthly Birthday Party 33 33 43 43 -10 1 1 Monthly Luncheon 76 76 82 82 -6 1 1 Movie Time 101 101 27 27 74 8 4 Putting Contest 6 6 27 27 -21 1 1 Seminars 48 48 56 56 -8 3 6 Television Viewing 28 28 45 45 -17 n/a n/a Tennis 137 137 72 72 65 13 5 Tree Dedication 28 28 0 0 28 1 0 Senior Activity Total 1632 1632 1389 1389 243 68 50 Senior Leisure Courses Ballroom Dance 7 19 24 96 -77 41 8 Ceramics 12 52 49 49 3 51 4 Computer 85 138 69 79 59 261 16 Computer Tutor 18 18 2 2 16 18 2 Dog Training Class 11 34 0 0 34 4 0 Exercise 66 543 56 526 17 19 19 Spanish Lessons 6 29 11 44 -15 5 4 Senior Leisure Courses Total 205 833 211 796 37 81 53 Senior Leisure Classes Arts and Crafts 35 35 35 35 0 5 5 Bridge Lessons 70 70 91 91 -21 6 4 Painting 34 34 25 25 9 5 5 Quilting 38 38 0 0 38 5 0 Tai Chi 48 48 0 0 48 4 0 Tap Dance 51 51 36 36 15 4 5 Senior Leisure Classes Total 276 276 187 187 89 29 19 TOTAL SENIOR PROGRAMS 2113 2741 1787 2372 369 178 122 Senior Services A.A.R.P."55 Alive" 34 34 50 50 -16 2 2 A.A.R.P. Tax -Aide 57 57 71 71 -14 41 5 Ambassadors 92 92 90 90 2 n/a n/a Blood Pressure Check 54 54 63 63 -9 4 5 Entertainers 48 48 0 0 48 n/a n/a FIND Food Distribution 459 459 475 475 -16 5 4 Hearing Consultation 10 10 3 3 7 1 1 Information/Referral/Outreach 268 268 363 363 -95 n/a n/a Medicare Consultation 16 16 3 3 13 n/a n/a Share Meetings/Sign-up 3 3 5 5 -2 1 2 Stroke Screening 42 42 19 19 23 1 1 TOTAL SENIOR SERVICES 1083 1083 1142 1142 -59 18 20 SENIOR CENTER TOTAL 3196 3824 29291 3514 310 196 142 Page 3 Lai 'C'�.� VI. BUSINESS ITEM A. � 02 U S �, Fr cFM OF CULTURAL ARTS COMMISSION MEETING DATE: April 13, 2000 ITEM TITLE: Presentation by Artists for Civic Center Campus Artwork RECOMMENDATION: Review artwork submissions for the Civic Center Campus Artwork Project and direct staff to forward recommendations to the City Council for consideration. BACKGROUND AND OVERVIEW: On March 9, 2000, 94 Request for Qualifications (RFQ) were sent out to artists selected by a subcommittee of the Cultural Arts Commission for the Civic Center Campus Artwork Program. The RFQ's listed five components of the Civic Center Campus that had been identified by the City Council for public artwork: bridge railing enhancements; pavement amenities; a bronze relief map of the original City of La Quinta boundaries; acknowledgment areas for veterans, celebrities and sports figures, and a water feature. The closing date for submittals was Monday, April 3, 2000. Six projects were submitted for consideration: One Bronze Relief Map by Sandy Swan One Bridge Railing Enhancement by Gene Montez-Flores Three Sculpted Proposals: Jennifer Johnson, Bill Ware, Gwen Hughes/Rick Barber One Mural Project by Gwen Hughes/Patrick Keenan The following attachments include: Attachment A : Bronze Relief Map by Sandy Swan Attachment B: Bridge Railing Enhancement by Gene Montez-Flores Attachment C: Sculpture information provided by Jennifer Johnson Ms. Johnson has provided a mosaic piece mounted on a display board, which will be available for review at the Cultural Arts Commission meeting. S:\Community Services\CAComm\CACRPT.010.wpd Attachment D: Sculpture information provided by Bill Ware Attachment E: Sculpture information provided by Gwen Hughes/Rick Barber Attachment F: Mural Project by Gwen Hughes/Patrick Keenan Ms. Hughes/Mr. Keenan have provided a sample mural story board for consideration. This will be available at the Commission meeting for review. All of the artists will be invited to the April 13 Cultural Arts Commission to represent their concepts. The Commission may wish to review the artist's detailed description of their work, as well as their backgrounds, as the artists may be present to answer any questions the Commissioners may have regarding the proposals. Mr. Tom Doczi will also be present at the Cultural Arts Commission meeting to provide information regarding the Civic Center Campus construction schedule and the incorporation of the artwork into the Campus project. ALTERNATIVES: The alternatives available to the Commission are: 1. Select one or more artwork proposals to be forwarded to the City Council for consideration: or 2. Do not select artwork proposals to be forwarded to the City Council for consideration: or 3. Recommend that an Request for Qualifications be re -issued for the Civic Center Campus artwork projects: or 4. Provide staff with alternative direction. nity Services Director Attachment A: Information For The Bronze Relief Map Submitted By Sandy Swan Attachment B: Information For The Bridge Railing Enhancement By Gene Montez-Flores Attachment C: Information For Sculptured Pieces By Jennifer Johnson Attachment D: Information For Sculptured Pieces By Bill Ware Attachment E: Information For Sculptured Pieces By Gwen Hughes/Rick Barber Attachment F: Information For Mural Piece By Gwen Hughes/Patrick Keenan SACommunity Services\CAComm\CACRPT.010.wpd ATTACHMENT A T4tyl 4 P 0" Civic Center Campus Artwork Request For Qualifications Requirements Artist: Each project was required to contain the following items: 1+1'*'� One page cover letter describing: Date: interest in the project relevant previous experience preliminary thoughts on how the Civic Center Campus project may be executed minimum two professional references Current resume (up to two pages) Maximum of ten �of past work, relevant to this project S Annotated eftcpage list that corresponds with the slides -Por /- Visual display of proposed artwork with details installation and materials Written description of project with: _ ✓ _ methods of fabrication installation special operational requirements Written description of maintenance requirements 0 Section 1 - Cover Letter Enclosed please find my proposal for the Bronze Relief Map, to be installed as part of the La Quinta Civic Center Campus Project. My name is Sandy Swan. I have owned Swan Design & Screenprint since 1982, and have worked full time as a professional commercial artist since 1980, My husband and I have lived in La Quinta since 1980. I have previously created three bronze relief maps, which are installed here in the Coachella Valley. Two were produced for the City of Rancho Mirage. They are both in the Michael S. Wolfson Park, at the corner of Frank Sinatra Drive and DaVall. The first is a simple topographical relief of the mountain area surrounding Rancho Mirage City Hall. It measures 32" wide by 24" deep, with the tallest peak at 7" high. The second relief is of local desert animal tracks. The original plaster impressions were taken from live animals at the Living Desert (roadrunner, sidewinder, chuck - walla, coyote), the Bighorn Institute (bighorn ram), and the San Diego Zoo (moun- tain lion), These individual impressions were combined into a final bronze panel measuring 35-1 /2" wide by 24" deep by approx. 3/4" thick. The third panel was commissioned by the Living Desert, in Palm Desert, This is a complex topographical relief of the entire Coachella Valley. It represents an area from Mt. San Gorgonio in the north, east to Joshua Tree, south to the northern tip of the Salton Sea, and west to Anza. It covers all the desert communities from Desert Hot Springs to North Shore. It also includes Mt. San Jacinto, Deep Canyon, Lake Hemet, Indio Hills, Mecca Hills, the San Andreas Fault, and Palm, Andreas, Murray and Tahquitz Canyons.This relief map measures 37" wide by 32" deep by 7-1 /2" high. For this project I would utilize the process that I developed for the Living Desert bronze. The base sculpture will be constructed of foamboard, with precise mea- surements taken from topographical maps. Height is exaggerated slightly in propor- tion to horizontal distance, for a more realistic look. The base model is finish coated and any labelling is added at this time. The model will be taken to the chosen foundry for mold making, casting, and finishing. After final approval, the bronze will be returned to La Quinta for installation. All three of my previous bronzes are "hands on", and include Braille text and label- ling. This allows blind and visually impaired residents and visitors to experience and appreciate the beauty of our desert mountains. Installation should also allow clear- ance underneath for wheelchair access from all sides. I would hope these addi- tional features could be considered as beneficial enhancements to this project. Section 1 - Professional References Dr. Hovak Najarian Professor of Art, College of the Desert (retired) 78-395 Palm Garden Place La Quinta, CA 92253 (760) 564-4689 Susan Francis Director - La Quinta Arts Foundation PO Box-777 La Quinta, CA 92253 (760) 564-1244 Caroline Conway Education Curator - The Living Desert 47-900 Portola Ave. Palm Desert, CA 92260 (760) 346-5694 -Contact for Living Desert topo bronze Steve Nagle Professor at College of the Desert 43-500 Monterey Ave, Palm Desert, CA 92260 (760) 346-8041 -Contact for Rancho Mirage bronzes 0 Section 2 - Resume Sandy Swan 78-725 Ave. La Fonda La Quinta, Ca 92253 (760) 564-5061 La Quinta resident since 1980, Coachella Valley resident since 1979 1982-present Swan Design & Screenprint 75-161 Sego Lane, Suite E-6 Palm Desert, CA 92211 (760) 836-0999 fax (760) 836-0789 Position: Business Owner Duties: Client consultations, logo design, art prep (both original illustrations and computer graphics), color separations. Daily administration tasks -job scheduling, supervise produc- tion, ordering supplies and materials. 1980-1982. The Living Desert 47-900 Portola Ave. Palm Desert, CA 92260 (760) 346-5694 fax (760) 568-9685 Contact: Chris Crow Position: Graphics Dept. Job Duties: Layout and hand lettering of exhibit panels; illustrations of desert plants, animals and geology (paintings for exhibit panels, pen and ink for publications). Designed the guide map and exhibit symbols for Visitor Guide brochure, 1990 - Topographical bronze map for The Living Desert, in co-operation with the Braille Institute. 1988 - Topographical bronze map and animal footprints panel for the City of Rancho Mirage, Michael S. Wolfson Park, in co-operationwith the Braille Institute. 1983 - First Place, Fine Arts Division/Animals Non-traditional "Kestrels", Riverside County National Date Festival. 1982 - Illustrated "The Living Desert Coloring Book", still published and sold in the Gift Shop, 1982 - Completed AA Degree in Art, College of the Desert. u t �3�lManPhmlx rf � yK v.9 k fi z a ; ffi'st . $.• s. A•r5rr.. .e .K + %A n P�'s�' �h,V'�(rpYi `;p��H $�P: � °�:. +1,: ,tiM.� IA+"�a"•L`i' �, .� � �� R ��v#� ��i v.-: 'B Tags+. •k Sections 3 & 4 - Relevant Projects Topographical Bronze at the Living Desert Dimensions: 37" x 32" x 7-1 /2" Raised text/Braille Legend: 37" x 5-1 /2" (separate panel) Slumpstone Base: 20" w x 15" d x 28" h Photo 1 Shows front of Bronze as viewed from main path approach, Note shade trees, planted to help keep map surface cooler. Construction for new Veterinary Care Center is in the background, Photo 2 Taken at rear of Bronze, looking back toward main path and the Upper Colorado Garden. Concrete access from all sides. Sections 3 & 4 - Relevant Projects (cont.) Topographical Bronze at The Living Desert (cont.) `7T07%7C1 Original casting model, Side view shows foamcore base and top coating. Braille and raised text lettering have not been applied at this stage. Photo 4 Picture taken during casting process at College of the Desert Sculpture Center, Mold is on end, encased in a box, and buried in sand. Molten bronze is being poured in from the two crucibles. Sections 3 & 4 - Relevant Projects (cont,) Animal Tracks Bronze at Michael S. Wolfson Park Dimensions: 35-1 /2" x 24" x 3/4" Painted steel pipe base: 6" diameter Photo 5 Close up view of tracks and labels (raised text and braille). Tracks include roadrun- ner, sidewinder, chuckwalla, coyote, bighorn sheep and mountain lion. Photo 6 Panel mounted on steel post, set in concrete. Panel is 32" high at front edge. Photo 7 Original plaster casting of mountain lion tracks. Individual boxes were built for each set of animal tracks. After drying, tracks were cut apart and composed into final layout. Sections 3 & 4 - Relevant Projects (cont.) Topographical Bronze at Michael S. Wolfson Park Dimensions; 32" x 24" x 7" Painted steel pipe base; 6" diameter Photo 8 Close up view showing contour lines and smooth finish on sides. Photo 9 Side view showing installation and position along path. Text panels in background are part of the Braille path, and explain local plants, flowers and history. The park also includes a "Scent Garden" for the visually impaired. Photo 10 Original model, before labels and casting, Highway 1 1 1 and the road up ?o Ritz Carlton are in black. Rancho Mirage City Hall is in the lower right hand corner. Z U) � 1l,LL j 'Y M - z' Ta. t _ 2�_ A ,U_EJ Y rr 191� 12 \, 144u idiaieWells\ qqU / Well Plo t �y ? S� 35 1 EY qra =� �_ o�r c°Un�e d f� B7- 28 - �80 00 AVENUE e` W ry Al•`l, ('� = I ) �� A� : _ ate_ __ Wells r i V � ��j \�ltiv ��/ ��`..r�llr i \�✓Allf �}�_I AV��f� iJ�.e �� \_l �.i.� 'WNI 38 �r� � S�/ � lj J -•� weA�, — _ _ aster I�' q � 1\ � \ } `S'�-' � yS d Y I 19 ♦vEHLE �/ '�: 1AQuinta ` P— v P �j �'�� ti �� a ` >, tom;. �� • Q> n �� Rib, G�% ' � � ��...✓ 1� Ji �' oyr � � � � � � �� `ll�`- SIC � ✓ i �� >L� L 4 { ,, � \ � �'� x � --_ — s � X �C1 � ��✓ �. 1 '� 1 ��' �� ,fA1 � � i �k � ( ��t" S1 � Z>�� i� _ � _ _ 3�a 2c L Co tiw / O 3 cn �— osl--1 6` s da©°� 71 � � m n Section 6 - Solution PROPOSAL: Create a bronze topographical relief rr}ap of the La Quinta area, showing the city's original incorporation boundaries. Area encompassed will extend north to Hwy 1 11, east to Jefferson St., south to Bear Creek Canyon and west to include all of Mt. Eisenhower and Indio Peak. Quote based on size of approximately 36" wide by 27" deep. Highest elevation on the relief 6", with Mt. Eisenhower at about 3" high. Present proposal includes cove areas of Indian Wells and a small part of eastern- most Palm Desert. The addition of these areas creates a more visually pleasing rectangular layout, and keeps the western slope of the mountains on the west edge from looking "chopped off FABRICATION. Bronze will be cast from an original model/sculpture created of foamboard. Base model will be smooth coated for a realistic look. Options at this point would include addition of a legend, "You Are Here" notation, braille text and labels, historical and geographic landmarks, and/or narration of the city's incorporation. After casting by the selected foundry, model and final bronze will be returned to La Quinta for installation INSTALLATION: To be quoted separately, based on discussion with architect. Base design and installation method should harmonize with the other design elements in the Cam- pus Project. Costs based on method of installation, location, and degree of site preparation required. Option 1 : Steel post, 6" diameter (as in Wolfson Park installation) Option 2: Slumpstone base pedestal (as in The Living Desert installation) Option 3: Architectural/decorative rockwork base Section b - Solution (cont.) CONSIDERATIONS: • Situate the bronze so that north on the map corresponds with true north. The suggested layout has east at the approach edge, with north to the right. • Keep pedestal base narrow, to allow for wheelchair access on all sides • Installation height should allow approach by wheelchairs, but not be too high for children to reach. • Situate bronze with a clear view of the surrounding mountains. (This will allow people to get their bearings.) • Include a "You Are Here" designation. • Include a map legend, with horizontal and vertical scales.. OPTIONS (not included in bid): • Installation on base - pending discussion with architect and design approval. • Installation should be on a concrete slab, extending a minimum of 3 feet on all sides of the bronze. (For people to walk all the way around, and for wheelchair access,) • Include Braille text and legend. • Include major streets (Washington, Jefferson, Eisenhower, Bermudas, Hwy 1 1 1) at the minimum. Ideally, include cove street grid to "personalize" the bronze for resi- dents and visitors (street grid only, no street names). • Incorporation narrative, identifying boundaries. • Historical and/or geographical landmarks; hiking trails. Y • IMPORTANT! Provide a ramada or shade tree, to shade the bronze. Metal sur- face will get hot in the sun. Section 6 - Solution (cont.) ESTIMATE: Create pattern; construct topographical model (approx. size 34" x 24" x 7"); basic integral legend (approx. 4" x 6") including "you are here", horizontal and vertical scales, date of city's incorporation; apply finish topcoat; delivery to chosen foundry for casting process; pick up finished bronze; delivery to La Quinta for installation. Bid amount; $11,825 (plus tax). CASTING: By Quote. Cost dependent on weight, final dimensions, and patina finish(es). Estimated cost $3250 - $5400 (plus tax) OPTIONS (not included in quote above) • Installation - Mounting plate, base and installation labor by separate contract,. Base design pending discussion with architect. Site prep and concrete flatwork to be discussed. Three possible design solutions are included in this proposal. • Major Streets - Hwy 111, Washington, Jefferson, Eisenhower, old Ave. 52. • City Street Grid - for cove area. No street names, • Braille Labelling - amount of text to be discussed. • Separate legend panel - incorporation narrative, historical features and land- marks (hiking/biking trails, La Quinta Hotel). Include Braille text along with raised lettering. PAYMENT SCHEDULE; 35% deposit.on project approval 35% progress payment upon completion of base model (approx. 180 days) 30% plus any addendum/options on completion of contract NOT INCLUDED: Sales tax; any city fees or permits; inspection fees, engineering fees (if needed). COPYRIGHT: As artist, Sandy Swan retains copyright to the bronze. Original model and casting mold are the property of the artist. Section 7 - Maintenance Requirements Maintenance for the bronze relief will be minimal - occasional dusting and cleaning as needed to remove dirt, leaves or bird droppings. Standing water from rain and sprinklers can cause white mineral stains on the sur- face of the bronze. Although this does not damage the bronze, it is unsightly. Prefer- ably, the bronze should be installed away from sprinklers, or so that overspray does not hit the surface. The patina finish darkens with age, and the high areas take on a bright bronze glow from the touch of visitors hands. The light/dark contrast emphasizes the mountain peaks, and enhances the richness of the metal surface. The three previous bronzes have proven to be vandal -resistant. The surface has not been damaged by paint or rocks. Mounting bolts can be rounded to prevent theft. 1 Own pay, 7 ( �wrrt ,i-, oiir own Norili j ickraL)hits The two spc- t. disl"l,lyed in Nagle Ct111- y side. Mr. and Mrs. Gene !rive Made another gener- itnitio:. to Eagle Canyon s t "lrid. D. Crandall, Eileen and ,Litt,BankAmerica Foun- n 1 Carl L. Karcher are all i(, ro-sponsors of t he golden r� in Eagle Canyon. The :gle now has 15 co-spon- f whom will he profiled in ,zper in a series of nwogni- n;ncenients. Mrs. Evelyn is helping to underwrite n:on's "i)ehind the scenes tivitles as l Fnend of the l.on C.•ntet. Mr. Paul h._ss m;i� ie a �� c lcurne gild to Canyon building fund. and grants ��Yhibitsand pro;ramsand ie scenes facilities received it ilelp lrom donors in Octo- o:yintwi. V AL gy" u�anson Foundation rniide KA 1 r20,000 wliich has been -d for the support of our .,i.onrncntat(-du(ationpro- Visitors enjoy the new tohcgrahhical braille nicil) o/ the C oai hcl,u t"c,(f i;, :%iron" oilier interpretive located near our sand dune cjwdcn. The exitil)it iuu„ 1 iving Destri gave tours Mrs. Irrin_q Kranicr. The original sc!tlhtitrc hi, -;woi: T),'sigrt ' crc r: i,ins to more than 28,aK) Print wr,Ls cult in br011zC (it tilt' C.O.1). Scull)turC CCI tc°r. ;astseason,andisexpeeted —_ -- 11,at total in 199203. A holding facility for rats is being atc holdln_'� c;tt;es ill ,litio ir, the palms of the built behind the scenes at the Ani- nfen will be established ul nial Care ('enter wltl� it gill from (;ills :w wh;ch p;qert�, iiav_ :!c 1 c I Crescent and Ruth James and Ethelmae UNdan. "1,1iis ill Been chose]] h<_ve recently twc l l )y a gill from their estate, enclosure is needed inn nediatMy for received lroin Mrs. Adele Huge A. underwrote a meinonal the several species ofcats, including North, Maxine Poyas, Mr. and Mm. i : agle Canyon. Palms of bobcat and carand, shoed for Eagh! Carlton Beat, Mrs. Phyllis S. t',.dready ur.denvav`outll- Canyon, and also for ofl-exhibit con- PoeWer �.nd tlic- Eimin" S. Senn. ,ift sliop, and is expand taininenl of species Mica& in A- Foundation. FundS WS,, W -n..il l tl:�d thisseaL-on. "Finished" collectioi . such as Arabian wildcats from a contril1nu0 ; lr.nn Tdr. L-ad "e tenn here, as it tikes and black -looted cats, with antler Mrs. Haldan that have not vet been ars for a new garden to patedgrowthofLivingQscrt'small designated. Well report in a cat collection, the need for appropri- issue how allc'-- 8 T4ht 4 -CP 4" Civic Center Campus Artwork Selection of Artists 4 Project: Artist: Date: Rater: by the Cultural Arts Commission in reviewing the design proposals The criteria used shall include, but are not limited to: A. Aesthetic Quality: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: B. Site Suitability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: C. Durability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: D. Level of Maintenance Required: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes-.- E. Technical Feasibility: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: ATTA('!,'. EN V T4tyl 4 Civic Center Campus Artwork Request For Qualifications Requirements ,Artist Date: Each project was required to contain the following items: One page cover letter describing: interest in the project relevant previous experience preliminary thoughts on how the Civic Center Campus project may be executed minimum two professional references Current resume (up to two pages) Maximum of ten slides of past work, relevant to this project a' Annotated one page list that corresponds with the slides Visual display of proposed artwork with details installation and materials Written description of project with: methods of fabrication installation special operational requirements Written description of maintenance requirements March 28, 2000 Request for Qualifications - City of La Quinta Enclosed is a description of an interesting approach to the Bridge Railing Exterior Enhancement, a collaboration under the name of Flores Studio by Gene Flores, sculptor and Susan Flores, designer. The solution to the problem of a utilitarian bridge railing design utilizes the existing rail as an appropriate backdrop to the added metalwork design. Also enclosed are resumes and letters of commendfation, slides and photos of previous Civic projects, information on the Love's Seat Project by Gene Flores. Flores Studio Gene Montez Flores Susan Marya Flores 215 West Hill Rd. Plainfield MA 01070 413-634-2249 FAX 413-634-8808 email flores@bcn.net City of New York The Arsenal Central Park Parks & Recreation New York, New York 10021 Henry J. Stem Commissioner February 9, 1998 Dear I am writing to you on behalf of the artist Gene Flores. In August 1997, Gene installed three sculptures entitled Love's Seats in New York City's Battery Park through Parks & Recreation's Temporary Outdoor Public Art Program. The sculptures are currently on exhibit at the site and will remain there for at least several more months. They have been a treasured addition to the park and were the site of a very successful poetry reading organized by Gene in September of 1997. It was wonderful working with Gene on this public art project. He is resourceful, innovative, professional and also very pleasant to work with. At the time of the installation, I happened to be juggling public art projects, curatorial responsibilities at the Arsenal Gallery, and issues with our permanent monument collection. In short, there was no one on staff who could dedicate their effort and attention to the public art program full time. In spite of this shortcoming on our part, the installation of the Love's Seats project proceeded more smoothly than anyone could ever have asked and only Gene can be thanked for that. The project has been both a success and a great deal of fun. I would be more than happy to any questions you may have, please feel free to call me at (212)360-8143. Sincerely, Karen Lemmey i� Monuments Coordinator CONSERVANCY • F O R HISTORIC BATTERY PARK WARRIE PRICE Mr. Gene Flores September 1, 1998 PRESIDENT 215 West Hill Road Plainfield, MA 01070 Dear Gene, You have my deepest gratitude for creating the "Love's Seat Project in historic Battery Park. The installation has been a tremendous success this year as it enriches the fabric of the Park with its beauty and utility. The inscription on one of your sculptural seats, "All that is not given is lost," rings true with our mission to enhance the lives of all our citizens and that of the millions of visitors from around the world who pass through Battery Park. In the past four years the Conservancy has been working tirelessly to convert the Park from a mere path to the Statue of Liberty and Ellis Island ferries to a point of destination where people linger and relax. The loveseats have created that environment in one corner of the Battery. People are drawn to them to read, reflect, carry on a private conversation, or play with their children. The sheltered feeling of the seats brings a sense of intimacy to an often frenetic park. You have my respect and admiration and I look forward to working with you on future projects in historic Battery Park. With appreciation, "�aJa4AA-1( Warrie Price 120 BROADWAY, SUITE 3340 • NEW FORK, NEW FORK 10271 212 566-6700 FAX: 212 566-6707 Resume Gene Montez Flores Born: San Bernardino, CA 1935 Education: Architectural Engineering, Cal Poly San Luis Obispo, CA Exhibitions: 2000 Solo Howard Yezerski Gallery, Boston, MA Wood St. Gallery, Chicago, IL Ute Stebich Gallery, Lenox, MA Marlboro College, Marlboro, VT Group five myles, Brooklyn, NY i999 Solo Howard Yezerski Gallery, Boston, MA Installations "The Loves's Seat Project", Civic Center and South Park, San Francisco, CA Wandell Sculpture Garden, Urbana, IL Group Pier Walk '99 Sculpture Show, Chicago, IL, Catalogue 1998 Solo Amherst College, Amherst, MA Wood St. Gallery, Chicago, IL Cal State University, Bakersfield, CA Group Pier Walk '98 Sculpture Show, Chicago, IL Catalogue "Cast Iron Art", Grounds for Sculpture, Johnson Atelier, Mercerville, NJ Catalogue Sculpture on the Green", Barat College, Forest Lake, IL Catalogue 1997 Solo Howard Yezerski Gallery, Boston, MA Zdru Gallery, New Haven, CT Group "Pier Walk '97" Sculpture Show, Chicago, IL Catalogue Naumkeg Sculpture Exhibition, Stockbridge, MA Installations "The Love's Seats Project", Battery Park, NYC, N.Y. Love Seat & Pavillion, Northampton, MA 1996 Group Iowa State University "From Cover to Cover; Transformation of the Book", Ames, IA Westenburg Gallery "Landscape", Great Barrington, MA Socrates Sculpture Park Tenth Anniversary Exhibition, Long Island City, N.Y, Catalogue 1995 Group RICA, Housatonic, MA Westenberg Gallery at New Marlborough, MA 1994 Solo in conjunction with workshop, Virginia Polytechnic Institute, Blacksburg, VA Group Portia Horcus, Boston, MA 1993 Group Avana forum Gallery, Bochum, Germany Maximilianpark, Hamm, Germany Wanas Art Park, Wanas, Sweden Catalogue 1992 Two Person Exhibition Kulturforum, Luneburg, Germany 1991 Installation Wanas Art Park, Wanas, Sweden Catalogue 1990 Installation "Construction in Process", Lodz, Poland Catalogue 1989 Group "Sculptors Working", Socrates Sculpture Park, Long Island City, N.Y. Catalogue "Artists Books and Book Arts" Baxter Gallery, Portland, Maine 1988 Group "Outside In", Athena Foundation, NYC Municipal Art Gallery New York City, N,Y, Chesterwood Outdoor Sculpture Exhibition, Stockbridge, MA 1987 Artist in Residence "Artists Choose Artists, Socrates Sculpture Park, Long Island City, N.Y. Catalogue 1985 Group Sunnyvale Art Center, Sunnyvale, CA Walnut Creek Center for the Arts, Walnut Creek, CA Resume Susan Maryo Flores Born: Berkeley, CA 1940 Education: University of California at Berkeley Susan Marya Flores designs and produces contemporary furniture. Her designs include tables and chairs ( indoor and outdoor ), beds, desks, consoles, screens, gates, decorative railings, She works primarily in metals ( steel, stainless steel, bronze, brass, copper ) and also incorporates upholstery, stone, glass, and turned wood in her designs. She has been represented by decorator showrooms in Los Angeles and New York City ( Mimi London, Furniture of the Twentieth Century, and Dennis Miller ), has been shown at the NYC International contemporary Furnityure Fair since its inception, and in NYNY displays at fairs in Milan, Italy and Cologne, Germany, She has created outdoor furniture for Art Parks in Wanas, Sweden and Great Barrington, MA. Numbering among her clients are Geoffrey Beene, Tina Turner, James Turrell, She has collaborated with her husband, sculptor Gene Flores, on various projects including large scale outdoor sculpture involving seating. She has had solo shows of her most recent unique furniture designs at Howard Yezerski Gallery in Boston in 1998 and 1999. 2 s fa ➢i�{�rY El is^" 3jag AI Y.-:fit # , :� i . -1°., < • d y , J :' ' i r y tt— Civic Center Campus Artwork Selection of Artists The criteria used by the Cultural Arts Commission in reviewing the design proposals shall include, but are not limited to: A. Aesthetic Quality: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: B. Site Suitability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: C. Durability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: D. Level of Maintenance Required: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: E. Technical Feasibility: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: F. General Appropriateness: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: G. Other Attributes: H. Artwork Cost (all inclusive): I. Final Score for Artwork: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Additional Notes: ATTACHMENT C Civic Center Campus Artwork Request For Qualifications Requirements Artist:VUDate:*L Each project was required to contain the following items: One page cover letter describing: lj interest in the project j/ relevant previous experience tr preliminary thoughts on how the Civic Center Campus project may be executed l/ minimum two professional references L,� Current resume (up to two pages) (/ Maximum of ten slides of past work, relevant to this project (/Annotated one page list that corresponds with the slides Visual display of proposed artwork with details installation and materials f� ritten description of project with: r% methods of fabrication installation l�— special operational requirements i/ Written description of maintenance requirements Monday, April 03, 2000 Ms. Dodie Horvitz, Community Services Director City of La Quinta 78-495 Calle Tampico La Quinta, CA 92253-1504 Re: Art Proposal for Civic Center Campus Project Dear Ms. Horvitz, It was a pleasure to meet with you and the others at the pre -proposal meeting. The new Civic Center Campus promises to be a delightful oasis in the heart of La Quinta and will surely cement La Quinta's reputation as the art nerve center of the valley In developing my proposal for you I have decided to partner with one our desert's prominent sculptors, Jim Taylor. Though our collaboration is at an early stage, we have agreed on our central approach. We will combine strong sculptural elements appropriate to outdoor scale with an equally strong narrative component rendered in -,glass mosaic that will tell the story of La Quinta. We propose a processional design of six sculptures placed along the path in a generally circular fashion. We believe that the continuity of the pieces will invite the viewer to stroll along the path and at each station learn more about La Quinta. We have prepared very simple suggestions for the metal elements and I have quickly done a suggested mosaic of Fig Tree John. The mosaics would be set into the sculptures and design elements from each would support the other thematically. Both Jim and I have a good record of producing large outdoor works and are familiar with working with the concerns of municipalities. Enclosed is our preliminary packet of requested information, resumes, references, projects, etc. We would be happy to meet with you at any time to continue to develop the project. As long time Valley residents with a keen respect for our culture we would be honored to be selected to continue to develop these roots. Yours truly, Jennifer Joh son, President 14 4fj IF Fmp-- jag, am dp Project Description The proposed artwork will feature the collaboration of two artists, Jennifer Johnson and Jim Taylor and consist of six sculptures of fabricated steel and glass mosaic done by Taylor and Johnson, respectively. The metal work in the sculptures will be fabricated of steel, bronze and aluminum. The elements will be welded for fastened. The main purpose of the metal parts is to provide an interesting place for the mosaic work and also to combine abstract art with art that is more representational. The sculptures will also contain linear elements and holes that will be drilled into the flat sections in order to create interesting light and shade patterns on the ground. The sculptures are abstractions based on various elements of the La Quinta area. The mosaic work will be contained within the metal sculptures and held in place with special frameworks and reinforcing wire. The mosaics will portray various historical people, places and events pertinent to the area. The sculptures will be mounted on concrete bases with special footings. The concrete bases will be of various geometric shapes and also contain some mosaic work. All sculptures will have full schematic drawings and models. The schematic will be checked by a structural engineer for wind efficiency, welding and fastening specifications. If necessary, inspections for welding and workmanship will be done throughout the project. Proposed Maintenance It is anticipated that the sculptures will require only routine maintenance. Due to the climate conditions and the small amount of annual rainfall, corrosion will be at a minimum. The metal elements will have a ferric acid patina on them which will require no maintenance. However, a twice annual waxing is recommended to keep it looking good. The mosaic elements are well suited to the desert and will not fade in the sunlight nor will the color delaminate. The mosaic will require periodic cleaning, about once a year with ordinary file cleaner. "Nines and Elevens" Steel (dimensions variable) Series of sculptures for Demuth Park, Collection of Palm Springs, CA 1999 "Nines and Elevens" Steel (dimensions variable) Series of sculptures for Demuth Park, Collection of Palm Springs, CA 1999 "Gumbo Variation: Lunar" Steel, Wood, Aluminum 24"x24"x4" "Gumbo Variation: Cardiff Stick" Steel, Wood, Bronze 24"x24"x4" 0 W F PARK STUDENT ART III VOIAd1 aazdr sawdr z z m to m r- m C m z m ol Slides: Jennifer Johnson 1. Untitled, Ceramic Sculpture, 20"x60" 2. Vessel, Ceramic,18"x30" 3. Mural, Ceramic, 48"x60" 4. Fountain of Life, Amphora Detail, Stone and Glass Mosaic, 3'x5' 5. Fountain of Life, currently under construction, Civic Center, Cathedral City, CA. 72'x18' Budget, $650,000. Slides: James Jared Taylor 1. "Nines and Elevens" Steel, Dimensions Variable, Demuth Park Palm Spring, CA 1999. 2. "Bell Gate," (Collection of Charles Fleischmann, Cincinnati, Ohio 19'0" high, Steel, Cast Bronze Bell, Wood,1987. 3. Untitled, Steel, 10'hx2'wx18d,1991. 4. "Cardiff Stick," 24"x24"x4" Steel, Wood, and Bronze. 5. "Lunar," 24"x24'W", Steel, Aluminum, and Wood. Professional References for Jennifer Johnson Ms. Julie Baumer, Assistant City Manager City of Cathedral City 68700 Lalo Guerrero Cathedral City, CA 760.770.0340 Mr. Reuel Young, Architect Interactive Design Corporation 3001 Tahquitz Palm Springs, CA 760.323.4990 Ms. Karen Riley, Executive Director Student Creative Recycle Art Gallery 82204 Highway 111, Suite C117 Indio, CA 92201 JENNIFER GILMAN JOHNSON 650 East Alejo Road Palm Springs, CA 92262 760.325.4825 Mail: Box 2147 Palm Springs, CA 92263 CURRENT STATUS Studio Artist 1980 to present EDUCATION University of Tulsa Tulsa, Oklahoma Bachelor of Arts,1967 SELECTED SHOWS AND AWARDS First Place, Sculpture, 1998 "Coachella Valley Spring" Palm Springs, California Public Arts Commission Artist and Designer, 1997 to present "Fountain of Life" Civic Center Fountain City of Cathedral City Cathedral City, California Budget: $650,000.00 Artist and Designer, 1997 Biographical Ceramic Series Ambassador and Mrs. Walter Annenberg Rancho Mirage, California Artist and Designer, 1998-99 "Metamorphosis" Entry Portal, ceramic, 20'x40' Student Creative Recycle Art Program Indio, California CURRENTMININI1 \LIS I S JIM TAYLOR BORN Cincinnati, OH RESIDES Palm Springs, CA EDUCATION Rutgers University, New Brunswick, NJ, NA.F.A., 1984-86. Kansas City Art Institute, Kansas City, MO, B.F.A., 1977-81. New York Studio School, New York, NY, mobility student, 1980. SELECTED SOLO EXHIBITIONS Extension Gallery -Johnson Atelier, Mercerville, NJ, April 1987. mason Gross School of the Arts, Rutgers University, New Brunswick, NJ, January 1986. SELECTED GROUP EXHIBITIONS Faculty Review, Riverside Arts Foundation, Palm Springs, CA, May 1991. Kaleidoscope, Glendale Arts Council, Allstate Plaza, Glendale, CA, April 1991. ;., n Cnanneie. 1984 Group Show, Spectrum Gallery, Palm Desert, CA, January 1991. National Conference On Cast Iron Art, University of Alabama, Birmingham, AL, April -May 1988. Outdoor Sculpture, Carnegie Center, Princeton, NJ, May 1988. Johnson Atelier, Trenton City Museum, Trenton, NJ, January 1987. Three Sculptors, Mercer County College, New Jersey, October 1986. 19 REFERENCES: Mr. Francis Penrose Russell Director -Center for Urban Design University of Cincinnati PO BOX 210016 Cincinnati, Ohio 45221-0016 Phone: (513) 556-3283 Dr. Michael 7aldan, Ph.D. Director -Weisman Museum of Art Pepperdine University 24-255 Pacific Coast Highway Malibu, California 90263 Phone: (310) 456-4851 (310) 317-7257 Mr. Roger Lintault-Professor of Art Dr. Billie Sessions -Professor Art Education California State University -San Bernardino 5500 University Parkway San Bernardino, California 92407 Phone: (909) 880-5802 Ms. Toshiko Takaezu Lecturer Emeritus -Princeton University PO BOX 4P Quakertown, NJ 08868 Phone: (908) 735-8295 Mr. James Barton -President Mr. Jon La4h.-Director Mrs. Donna Warner -Lash Mr. Dan Lomax The Johnson Atelier 60 Ward Avenue Rx=gjnn Mercerville, NJ 08619 Phone: (609) 890-7777 Dr. Hovak Najarian Professor Emeritus -College of the Desert 78-395 Palm Garden Place La Quinta, CA 92253 Phone: (760) 564-4689 Dr. Janice Lyle, Ph.D. Director -Palm Springs Desert Museum 101 Museum Drive Palm Springs, CA 92263 Phone: (760) 325-7186 Home: 3240 Hardisty Avenue Cincinnati, Ohio 45208 Phone: (513) 321-2200 Civic Center Campus Artwork Selection of Artists Project'L Artist: ` Date: I Rater: the design proposals The criteria used by the Cultural Arts Commission in reviewing shall include, but are not limited to: A. Aesthetic Quality: 1 Highly Acceptable 2. Acceptable Notes: B. Site Suitability: 1. Highly Acceptable 2. Acceptable C. Durability: 1. Highly Acceptable 2. Acceptable A E. Notes: Level of Maintenance Required: 1. Highly Acceptable Notes: Technical Feasibility: 1 Highly Acceptable Notes: 2. Acceptable 2 Acceptable 3. Not Acceptable 3. Not Acceptable 3. Not Acceptable 3. Not Acceptable 3. Not Acceptable ATTACHMENT D Artist: Ti4 4 .f�Q" Civic Center Campus Artwork Request For Qualifications Requirements F1 Each project was required to contain the following items: ✓ One page cover letter describing: Date: interest in the project relevant previous experience preliminary thoughts on how the Civic Center Campus project may be executed minimum two professional references Current resume (up to two pages) Maximum of �@slid s of past work. relevant to this project (opi g . L44ko i/ Annotated one page list that corresponds with the slides 3� Visual display of proposed artwork with details installation and materials Written description of project with: ,/ methods of fabrication t,-- installation special operational requirements Written description of maintenance requirements April 3, 2000 Dodie Horvitz Community Services Director 78-495 Calle Tampico La Quinta, CA 92253 Dear Selection Team: I am interested in being considered for the La Quinta Civic Center Campus Project. I feel that from my past and current collaboration with architects, art committees and the general public, that I have experience in working in this capacity. Creativity, problem identif-- ication and solving, along with the ability to work with others, are some of the skills I bring to a project to insure a within budget, on schedule job. My most recent outdoor installation was for the Marriott Residence Inn in Palm Desert. This art statement consist of a series of five stainless and aluminum stylized birds. I suspended one for a dramatic "in flight" effect and mounted the others.on hand selected and care- fully placed dark colored (contrast) boulders. Added amber lights cast a glow on the birds for the nighttime viewers. I am currently in the design phase of creating a bronze."desert crit- ter" series. To date, I have completed a roadrunner and a chuckwalla is ready for casting. I am now working on a jackrabbit. I would enjoy having the opportunity to continue the series by sculpt- ing a covey of quails and other suggested creatures relevent to the area. The bronzes could be placed in a garden -like setting or another possible approach for presentation would be to combine realism with a contemporary base. Enclosed are a few sketch ideas. Will the work age gracefully, with minimum.of maintenance? This issue is always on my mind during the planning of any project, Working closely with a landscape architect to ensure proper placement of plants and -irrigation design -is essential for the success of the total project. My aim is to capture the spirit of La Quinta, set a "dialogue" with the environment and to actively engage the viewer in a sence of place, an.experience of beauty, history and surprise. Thank you for your attention. Sincerely, William Ware Artist 6614i 3S/O-5'O2A1 • 73- 99/ MA4SOM ST • PALM 04ESSAT CA.9226O 74,0 PERFESSIONAL REFERENCES 1. William Swank Architect/Developer 15-550 Riveria Drive LaQuinta, CA 92253 760-771-3110 2. McFadden and McIntash Architects 72-925 Fred Waring Drive Palm Desert, CA 92260 760-3468014 3. Robert Whitney Enjoy Development 8100 Paseo Del Ocaso La Jolla, CA 92037 619-456-2240 4. Tom Colinen Rancho La Quinta Country Club 79295 Rancho La Quinta Drive La Quinta, CA 92253 760-777-7748 5. Holden & Johnson Architects 44-267 Monterey Ave. Palm Desert, CA 92260 760340-1981 WILLIAM WARE Bill Ware was born in Indianapolis, Indiana,. where his artistic talent was noted by his third grade teacher, whom Bill learned when he met her twenty years later, had kept his sketches among her personal mementos. A self-taught artist, Bill attended Baylor University where he was a pre-med major. However, his first love was art and his best marks were in illustrating for Biology and Physiology. Bill's commercial art experience began in 1964 in Newport Beach, California as an art director for an art magazine, Orange County Illustrated. A job illustrating for a text book publishing company in New York City provided funds to travel to Palma de Mallorca, Spain in 1966. While in New York City, Bill did watercolors based on city street scenes. In Spain he continued painting while working as an illustrator for Spanish magazines. In Spain, Bill was inspired by the works of Miro whom he met while there. As an illustrator and cover artist for the Saturday Evening Post, Bill improved his craft while producing many fine works. As an independent artist in Indiana, Bill found success and recognition when the Indiana Convention Center commissioned him to paint a mural. This led to a commission from Indiana bell, where he produced paintings of Indiana scenes for an entire high-rise over a one year period. One of these paintings won an award and became part of a touring show of corporate art, hanging in the exhibit between Norman Rockwell and N.C. Wyeth. Though Bill's background is in painting, his desire to'be involved in Art in Pu tic Places, pushed him into creating sculptures and relief pieces using non-ferrous metals. This medium opened up many occasions to work with architedts, city planners, -and various committees' through the building process. Bill has designed, created and installed numerous two and three dimensional works for private and public settings. Selected Private Collectors 4Allen Paulson -4Vincent Price, Actor 4Julie Nixon Eisenhower 4Jack & Shirlee Hennessy 4Mr. & Mrs. Philip Glass, Chicago -4Dr. Stanford M. Rider, Los Angeles -4Richard Lugar, Senator of Indiana 4Mr. & Mrs. Hal Wallis, Producer and Actor .4John Wooden portrait, presented to him upon his retirement Selected Public Collections -4Eli Lilly Corp. -4First Interstate Bank -4The Indiana Convention Center -4A. T. & T. and Bell Laboratory -4PGA WEST Country Club, La Quinta 4Indianapolis 500 Racing Museum Mural -4Morningside Country Club, Rancho Mirage -4Cal Federal Savings & Loan Corporate Office - Wilshire Boulevard Art In Public Places 1982 Palm Desert Civic Center — Palm Desert — Mural 1995 Palm Desert Town Center — Palm Desert =—Sculpture 1996 Rancho La Quinta Country Club — La Quinta — Sculpture 1996 Gila Restaurant — Palm Desert — Sculpture 1997 Sunlife Medical Building — Palm Desert — Sculpture 1998 Seventh Day Adventist Church — Palm Desert — Sculpture Selected Bibliography 1989 Myer, Joe Strolling The Galleries — The Desert Sun 1989 Anthony, Kathryn The Texture You'd Love to Touch — Focus/Santa Fe April/May, page 37 1990 Oakton, Bill Imbued With the Spirit — Focus/Santa Fe — August/September, page 64 1990- Guest Life Master Pieces of American Art 1991 1990 Rezendes-Herrick, J. Dyslexia Discovery Opens the Artist's Eyes Teaching and Lecturing , 1980 - Ongoing - Schools — Speakers and workshops for students of all levels - 1994 - Ongoing - Seminars for the Orton Dyslexia Society conferences =T} i t S De f GAl �S '?.'tP;LL- , 3vA-' Goal-D zz:F- .,-1 ► -L L46A5 1gr 3ama"C K*vwi ZO' d zosvzOS Ob£ 09L ddL #a.AeM dflS : EO 00 - L e --AdV Apr-21-00 03:58P war-e#ipp 760 340 5024502 P.01 /7�fr C�C,4�05 April 17, 2000 CIVIC CSNTER C'.A JPUS PROJECT 1. 'three bronze "desert critters" in a garden- like.setting. 150 to 200% scale. Cost* Z27,000, L�Xc4f- ' �d?I.,#OoAY4 plus landscape; $5, 000. 2. Murals; 61 X zoo (A) Relief with bronze, copper and brass. Includes wall, back would be ready for tributes. Cost: ;120,000. (s) Painted Mural with landscape :72,000. 1VP C#OWd-S aR S16NIAJ& A�57EAS plus landscape 3. Bridge: Birds in Flight (10) Cost: ;IP0,000. �'1RAS tN t�t6•}t7" (4 wi J�A- Keu["�a�co O 4, Benches: ` wildlife in bronze on steel benched. Cost: $14,000. Four benched with bronzes i9800. each S. Cubes: Aluminum 7' X 14' $16,000. or 614,000./3 Cubes with bronze critters- $22,000. History or other information can be laser cut into the cubes. 6. Any bronze critters you may go with will be available at foundry cost only. They could be used in schools, art found - at ion or any publ is place IcIIN6OJ — dI UVRK CAA Fiojb AAwNb 1 Questions or comments: Sill Ware 3405024 "on l;l'T1/VG' i t , �►1 ".' L (;. Gsi 3wo•ib�I • ;Pr sir M*asory sr • P*m o SM7 cA ?x2do TW�v 4 4 0" Civic Center Campus Artwork Selection of Artists Artist: l 1O�C�C' Project: u, ' Rater: Date: The criteria used by the Cultural Arts Commission in reviewing the design proposals shall include, but are not limited to: A. Aesthetic Quality: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: B. Site Suitability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: C. Durability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: D. Level of Maintenance Required: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: E. Technical Feasibility: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes F. General Appropriateness: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: G. Other Attributes: H. Artwork Cost (all inclusive): Final Score for Artwork: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Additional Notes: Artist: ATTACHMENT E led* 4 Ica a" Civic Center Campus Artwork Request For Qualifications Requirements 611LIC Um �RL J 6 2L Date: ' 4k 0� Each project was required to contain the following items: One page cover letter describing: V interest in the project relevant previous experience preliminary thoughts on how the Civic Center Campus project may be executed minimum two professional references v Current resume (up to two pages) V"" Maximum of ten slides of past work, relevant to this project Annotated one page list that corresponds with the slides V Visual display of proposed artwork with details installation and materials Written description of project with: v/ methods of fabrication —�— installation �— special operational requirements Written description of maintenance requirements 810GROPHY Gwen Hughes 1- ON QL4j 1 .3 Im C q BORN RESIDES TRAINING Regina, Sadkcvtchawan, Canada La Ouinta, California AV01,11INVYfy,, a:•��Ge Alberta College of Art University of Calgary INSTRUCTOR ♦ 1989 Private Lessons ♦ 1980 Private Lessons ♦ 1973 Private Lessons GALLERY REPRESENTATION IN CANADA ♦ The Jack Gibson Gallery ♦ Kensington Gallery ♦ Front Gallery ♦ Assinibola Gallery GALLERY REPRESENTATION IN THE UNITED STATES ♦ Bryant Gallery ♦ Show of Hands ♦ Center Street Gallery ♦ Coda Gallery ♦ Hausso Gallery ♦ Aganlsh Gallery ♦ Palapas Gallery ONE PERSON SHOWS ♦ Front Er Center ♦ Kensington Gallery ♦ Gulf Canada Show ♦ Wallace Gallery ♦ Gulf Canada Gallery ♦ Familiar Works Fi New Directions ♦ IBM Olympic Display ♦ Gulf Canada Olympic Show Graduate r and Drawing V, Alberta V, Alberta iton, Alberta British Columbia Calgary, Alberta Edmonton, Alberta Regina, Saskatchewan Jackson, Mississippi Santa Fe, California Jackson, Wyoming Palm Desert, California Palm Springs, California Sedona, Arizona Palm Springs, California Edmonton, Alberta 1991 1"3 Calgary, Alberta 1991 19941996 Calgary, Alberta 1990 Calgary, Alberta 1989 Calgary, Aiberta 1989 Edmonton, Alberta 1988 Calgary, Alberta 1988 Calgary, Alberta 1988 ♦ Alberta Society of Artists Show Gulf Canada Gallery Calgary, Alberta 1986 ♦ Parallells 8 Affinities Grande Prairie Gallery Grande Prairie, Alberta 1986 ♦ A.S.A. Art Show - Muttort Gallery Calgary, Alberta 1985 ♦ C.S.P.G. Art Event - Muttart Gallery Calgary, Alberta 1985 ♦ Return to Laughter - Muttort Gallery Calgary, Alberta 19851986 ♦ Womens Secretariat - Nett Gallery Calgary, Alberta 1985 ♦ A Measure of Success - Aiberta College of Art Calgary, Alberta 1985 ♦ Gulf Canada Sculpture Show Calgary, Alberta 1984 ♦ Canadian Society of Painters In Watercolor Calgary, Alberta 1984 ♦ Heritage Park Art Show 8 Sale Calgary, Alberta 19791984 ♦ Springbank Art Auction Calgary, Alberta 1980 1984 ♦ The Stockmen's Heritage Art Show Calgary, Alberta 1981 1983 ♦ Students Graduating Show - Alberta College of Art Calgary, Alberta 1979 COMMISSIOMS ♦ Camel Bench - El Poseo Palm Desert, California 1996 ♦ Camel Bench Palm Springs, California 1996 ♦ Hollywood Walk of Fame Palm Springs, California 1996 ♦ Plus 15 Competition Winner Calgary, Alberta 1995 ♦ Benches as Sculpture Winner Calgary, Alberta 1994 ♦ 1993 Sculpture Competition Winner Calgary, Alberta -19$9 Cl ♦ Alberta Opera Society Calgary, Alberta 1989 z'r ♦ First Annual Saskatoon Fairview Collectors Edition Calgary, Alberta 1986 ♦ McGill University Basketball Team Calgary, Alberta 1985 ♦ )osper Series Limited Edition for Scw ldge Hotel jasper Calgary, Alberta 1983 ♦ Blgstone Creek Band Historical Brochure jasper, Alberta 1983 ♦ R.C.M.P. Centennial Series for Farmers 8 Merchants Trust Co. Calgary, Alberta 1973 + a4,cT F3r--� 00G -V 0,L.M S Pr21 N �S ig IYl V rL A L- C 414 A �N D I ft NS 3 �1 F2 0� �- ,1ZZS TF t=14T2 Ala D 1 O �} C.aw$+Y 49pn s 'G_MPtRt: Qo s.-e G1..%I e 1 Note ZZ. BIOGRAPHY RICK BARBER BORN EDMONTON ALBERTA RESIDES 4 4 & r! LA OUINTA CA TRAINING SOUTHERN ALTA INSTITUTE OF TECHNOLOGY GALLERY REPRESENTATION CODA GALLERY PALM DESERT CA GREGORY GALLERY NEWPORT BEACH CA TOPS MALIBU CA HEUSSO GALLERY PALM SPRINGS CA THE LIGHTSIDE GALLERY SANTA FE NM DANFORTH GALLERY LIVINGSTONE MONTANA KENSINGTON GALLERY CALGARY ALTA FRONT GALLERY EDMONTON ALTA JACK GIBSON GALLERY VANCOUVER BC CENTER STREET GALLERY JACKSON HOLE WY SHOWS CHRISTMAS SHOW (FEATURE ARTIST) 1993 1994 KENSINGTON GALLERY CALGARY ALTA CHRISTMAS SHOW (FEATURE ARTIST) 1993 1994 FRONT GALLERY EDMONTON ALTA LA QUINTA ALL THAT JAZZ ART SHOW 1993 LA QUINTA ARTS FESTIVAL 1994 COMMISSIONS & COLLECTIONS in CANADA and UNITED STATES WINNER 1993 SCULPTURE COMPETITION CITY OF CALGARY ALBERTA . Hoy-t-y woolc> v� i-K o F in+M�- S"riP��s �Lm S P 0--(v6S 9E off wvul46-p5:)-\o 6_S c is ' � Et 3 � n�c i � 'PA-t -� ID A , \-j e-- C vl�Ti~-e;. -t' 4;:N Q k `R 'N �rJL—' t�l o S Gk J t iv -C-- . �2'� IY\ r N s L L �P/.eE �'d�d C�ug f(�Brs� � azco �� t ~ pd 6� �� 1 -- ---- -- ---- -- _ � -- _ - � �' !�G[SLV�� 0 a t, %t ................ Ir 2-=VA. 77 77 1. Gwen Hughes Rick Barber Civic Center Campus Artwork Proposal Estimate Cahuilla Basket Project To Create an Eight Foot Cahuilla Basket which will be made of wire rope and painted with an authentic Cahuilla pattern to honor the band and their ancestors in our valley . The basket will be coiled wire rope welded together, held by a steel support anchored and concreted into the ground as per building code and consultation with City Engineers and Architect. Bid Amount .....$10,000 to $15,000.00 Payment Schedule... 35% deposite on project approval 35% progress payment upon completion of basket and base 30% plus any addendum/ options upon completion of contract NOT INCLUDED Sales tax ;any city fees or permits ;inspections fees ;engineering and architect fees, and insurance requirements Gwen Hughes & Rick Barber Bridge Enhancement Enhance existing bridge with metal work in the form of a herd of lifesize Rams walking across the bridge and on the other side Coyotes loping along in the same direction providing a photo opportunity for pedestrians and their children with animals important to our desert landscape. The animals would to made of 3/8 inch steel, painted realistically on both sides and welded in place along the bridge bed on the outside . BID AMOUNT ........$10,000.00 for the 30 foot bridge, making 60 feet of animals to cover both sides $8,000.00 for the 20 foot bridge making 40 feet to cover both sides Payment Schedule... 35% deposite on project approval 35% progress payment upon completion of figures 30% plus any addendum/options upon completion of contract Not Included Sales tax, any city fees or permits , inspections and their fees , engineering and architect fees and insurance requirements c&i,, 4 s4a 0" Civic Center Campus Artwork Selection of Artists Artist: I� Project: sc�LXIC2-LLL � 1 Rater: Date: The criteria used by the Cultural Arts Commission in reviewing the design proposals shall include, but are not limited to: A. Aesthetic Quality: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: B. Site Suitability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: C. Durability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: D. Level of Maintenance Required: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: E. Technical Feasibility: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: F. General Appropriateness: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: G. Other Attributes: H Artwork Cost (all inclusive): Final Score for Artwork: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Additional Notes: Artist: c&t,/ D a4� 4{4/ ATTACHMENT F Civic Center Campus Artwork Request For Qualifications Requirements �f Date: v� i Each project was required to contain the following items: (/ One page cover letter describing: 1/ interest in the project 1/ relevant previous experience —� preliminary thoughts on how the Civic Center Campus project may be executed minimum two professional references Current resume (up to two pages) I Maximum of ten slides of past work, relevant to this project LZ Annotated one page list that corresponds with the slides Visual display of proposed artwork with details installation and materials Written description of project with: t- methods of fabrication installation special operational requirements Written description of maintenance requirements 41 --- - - - -------- ----- ----- - ------ --- --- -76� _'32-0 -4-(s76, -- --- �6d -32-::�- -7,,7i BIOGRAPHY GWEN HUGHES BORN REGINA SASK RESIDES CALGARY ALBERTA LA QUINTA CA TRAINING ALBERTA COLLEGE OF ART GRADUATION .1979 UNIVERSITY OF ALBERTA CALGARY 1975 INSTRUCTOR CALGARY ALBERTA EDMONTON ALBERTA GALLERY REPRESENTATION CODA GALLERY GREGORY GALLERY STEVE STEIN GALLERY HEUSSO GALLERY THE LIGHTSIDE GALLERY CENTER STREET GALLERY DANFORTH GALLERY BRYANT GALLERY THE KENSINGTON GALLERY THE FRONT GALLERY ASSINIBOIA GALLERY THE JACK GIBSON GALLERY ONE PERSON SHbWS NEW WORKS 94 FRONT AND CENTER KENSINGTON GALLERY GULF CANADA GALLERY WALLACE GALLERY FAMILIAR WORKS -NEW DIRECTIONS IBM OLYMPIC DISPLAY MUTART OLYMPIC SHOW DEVONIAN GARDENS MUTTART CONSERVATORY PALM DESERT CA NEWPORT BEACH CA SHERMAN OAKS CA PALM SPRINGS CA SANTA FE NM JACKSON HOLE WY LIVINGSTONE MONTANA JACKSON MISS CALGARY ALBERTA EDMONTON. ALBERTA REGINA SASK VANCOUVER BC KENSINGTON GALLERY CALGARY 1991/92/93/94 EDMONTON ALTA 1991 CALGARY ALTA 1988/89/90 CALGARY ALTA 1989 CALGARY ALBERTA 1989 EDMONTON ALTA 1988 CALGARY ALTA 1988 CALGARY ALTA 1981 CALGARY ALTA 1981 EDMONTON ALTA ♦ ]asper Series "Umited Edition" for Sawridge Hotel ]asper Calgary, Alberta 1983 ♦ Bigstone Creek Band Historical Brochure Jasper, Alberta 1983 ♦ R.C.M.P. Centennial Series for Farmers S Merchants Trust Co. Calgary, Alberta 1973 LIMITED EDITION ♦ Whistlers Mother (Whistler) Bronze 1990 ♦ Little Dancer (Degas) Bronze 1990 ♦ Princess and the Pea (Ceramic) ♦ Piggy Delight (Ceramic) 1988 ♦ Winning Spirit (Bronze) 1987 COLLECTIONS ♦ Alberta Culture ♦ Athabasca University ♦ British Petroleums Canada Limited ♦ Royal Bank of Canada Limited ♦ Imperial Oil ♦ Petro Canada ♦ City of Calgary ♦ Nick Nolte's Private Collection Hollywood, California ♦ Linda Hamilton's Private Collection Hollywood, California ♦ Many Private Collections In Canada & The United States PURCHASES 1997 M A 'rw o , ♦ Hollywood Walk of Fame City of Palm Springs ♦ Camel Bench City of Palm Springs ♦ . Elephant Fountain McCrums, Calgary, AB _ ♦ 01AT BVE:NC-N AV-,sZyk1,TrZ , IPAt_iA SCR-�NGS CA t' toot` SCONE ,4va� s-ro tcA� Z P�4c_m ��FZ�wfos . + 8 'M O P-A t_ s o ,N sz ocv E GAF-F J t t_ L q t�11� t ry s �EPiGTiNh �LNbt K1Y�3 .T S? R 'T>(AL-m spri��r� S 4 c4 J YZKFt- 0 R COS R-r� (�^R_� G P-k+0 1 1. l.fV AND l RN S T,AL- Fv\, s v-P�tN-�,s --c No 1 kw rv\uc-;eUP �► D�COFRP,7k`i r=- G 14 te�s :F:,FYhC-bN C=, 6alffy +(kSSCc V>RLwi :5?P-(NGS Z. tsn �T \�/ (vt t✓ Cam, C� �4 T�s y KE $t_ E� 1�� I I(� l2 o �--D '62 CA iq N L( T- t U A TL -r �-E IE-ii V jk T>, S a 0 , W r�, R. M . . 2. Biography Patrick Keenan Graduate of Alberta College of Art in Calgary, Alberta, Canada. Resides Calgary, Alberta, Canada Teaches Red Deer College - Ceramic Sculpture Canadian Gallery Representation Webster Gallery - Calgary, Alberta Front Gallery, Edmonton, Alberta United States Gallery Representation A Gallery, Palm Desert, Ca. Agnisiuh Gallery, Sedona, Arizona Bryant Gallery, New Orleans Louisiana Attended LaQuinta Arts Festival Show and La Quinta Jazz Festival Has Commissioned work in the Calgary Petroleum Club The Royal Bank, McCrums Furniture, Shell Oil Co. Petro Canada, Renfrew Furs and many others. Bronzes include Jerry Lee Lewis, Bo Diddly, Merle Haggart , Little Richard Many commissioned pieces of Lawyers, Doctors, Judges, Golfers etc. GWEN HUGHES & RICK BARBER ART STUDIO STD MILA GWEN HUGHES & RICK BARBER ART STUDIO 70ftSV-e' - wa NvE12 GWEN HUGHES & RICK BARBER ART STUDIO Kg ra-+A L-s o N s-MW'E MML�lq GWEN HUGHES & RICK BARBER e u T CTT MI C) MJ1zRLS 51-0 nt 15ePI & c.ot-ores ON L%( zN0 (M4 s P R kA o-rs-- --A- C)ks c tv o 1:: fit-m S? PAUDS GWEN HUGHES & RICK BARBER ART STUDIO WoU'v, tN Vp2to 6 tz-ess .S,T-uolo 5ttb-r 1.4or Gwen Hughes and Pat Keenan Civic Center Campus Artwork Walk Through Time To create and historical environment which would be a celebration of the past and the present . The project would be composed of a 30 foot time capsule composed of rocklike walls and passageway leading from the time of the Cahuilla Indian living in a Valley Village . We would be greeted by an elder sitting on a boulder telling stories of Indian legends to the children. Bare foot prints would lead the visitor into an Indian Village where a woman is teaching a young girl the rudiments of Basket Weaving, a craft the Cahuilla were famous for. The Village scene would be a relief of huts and a panoramic view of the mountains and sand in the distance painted on the stone. Barefoot prints would give way to modern shoes and upon leaving the village tbru a passagway in the wall the visitor would round the corner and find modern day golfers Teeing off on the beautiful green grass. Trees and indiginous plants would be planted along the way to give shade and beauty to the scene. Golfers such as Arnold Palmer and those who designed and built golf couses in La Quinta would be honored with their likeness in Bronze or stone as the figures in the rest of the project. Bid Amount ........Village and figures in stone ...$90,000.00 Golf Figures in Bronze ...$20,000.00 each ( can be added over time) Payment Schedule ... 35% deposite on project approval 35% progress payment upon completion of wall and figures 30% plus any addendum/options upon completion of contract Not Included Sales tax, any city fees or permits /inspection fees, engineering and architect fees and insurance requirements. c&'Y/ 4 14P Civic Center Campus Artwork Selection of Artists Artist: f roject: Rater: Date: L( The criteria used by the Cultural Arts Commission in reviewing the design proposals shall include, but are not limited to: A. Aesthetic Quality: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: B. Site Suitability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: C. Durability: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes D. Level of Maintenance Required: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: E. Technical Feasibility: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: F. General Appropriateness: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Notes: G. Other Attributes: H. Artwork Cost (all inclusive): I. Final Score for Artwork: 1. Highly Acceptable 2. Acceptable 3. Not Acceptable Additional Notes: La��— c'�.� J. BUSINESS ITEM B. U S FCF� OF CULTURAL ARTS COMMISSION MEETING DATE: April 13, 2000 ITEM TITLE: Community Picnic - April 29 RECOMMENDATION: As deemed appropriate by the Cultural Arts Commission. BACKGROUND AND OVERVIEW: The Community Picnic and Birthday Bash is scheduled for Saturday, April 29 at Fritz Burns Park. Local businesses and community leaders have been invited to attend the event, to host a booth to distribute information regarding their services and to share the event with the participants. The Fritz Burns Pool will be open to the public, with no cost to the participants, and there will be a dunk tank set up in the park. The La Quinta Rotary Club is sponsoring free hot dogs to participants and there will be free drinks available. In celebration of the City's birthday, birthday cake will be available to participants as well. The Cultural Arts Commissioners have been asked to participate in this event, by being available to answer questions regarding the public art program and act as ambassadors for the event, ensuring that the participants have a good time while attending the picnic. This year, the Cultural Arts Commission will have heart shaped key rings that say "Have a Heart for the Arts" to hand out to participants. Marni Kunsman will attend the Cultural Arts Commission meeting to provide an update on the picnic and the tasks that she needs assistance with to finalize the picnic and birthday bash. S:\Community Services\CAComm\CACRPT.011.wpd ALTERNATIVES: The alternatives available to the Commission include: 1 . Continue to support the Community Picnic and Birthday Bash event; or 2. Do not support the Community Picnic and Birthday Bash event; or 3. Provide staff with alternate direction. Dodie Horvitz munity Services Director S:\Community Services\CAComm\CACRPT.011.wpd Lam •cy _. BUSINESS ITEM C. U S � fr= OF fNti� CULTURAL ARTS COMMISSION MEETING DATE: April 13, 2000 ITEM TITLE: Symposium on Cultural Development - November 2000 RECOMMENDATION: As deemed appropriate by the Cultural Arts Commission. BACKGROUND AND OVERVIEW: The Symposium on Cultural Development (Symposium) subcommittee has met and updated the outline (Attachment A) for the Symposium to be held November 4, 2000 at the La Quinta City Hall. The subcommittee will provide an update on the project at the Cultural Arts Commission meeting. At the April 4, 2000 City Council meeting, it was determined that the City Council will meet with the Commissions on Tuesday, September 26, 2000 for the annual meeting. The Cultural Arts Commission may wish to submit a request to the City Council for support of the Symposium at the May 2 City Council meeting, due to the budget requirements for the program. It is anticipated that the Symposium costs, which include $500 for the reception, $2,500 for speakers, and approximately $300 for printing and supplies, would total $3,800. Currently the budget for the workshop is $800. Attachment B is the resume for Jack Mackie, a public artist currently residing in Seattle, Washington. The Symposium on Cultural Development subcommittee has made a preliminary inquiry as to the cost of having Mr. Mackie attend the Symposium. It is anticipated that the cost would be $2,500 for the all inclusive costs associated with Mr. Mackie's visit. Should the Commission desire to proceed with the Mr. Mackie as a speaker, the Commission may wish to provide clear detail to be included in the staff report for the City Council consideration on May 2, 2000. S:\Community Services\CAComm\CACRPT.012.wpd ALTERNATIVES: The alternatives available to the Commission are: 1. Continue to support the Symposium on • Cultural Development subcommittee and direct staff to agendize the Symposium for City Council consideration on the May 2, 2000 City Council meeting; or 2. Do not continue to support the Symposium on Cultural Development subcommittee and direct staff to agendize the Symposium for City Council consideration on the May 2, 2000 City Council meeting; or 3. Pro\Ade staff with alternate direction. Do3"ie Horvitz, Attachment A: Attachment B: ity Services Director Outline for the Symposium on Cultural Development Resume of Jack Mackie S:\Community Services\CAComm\CACRPT.012.wpd ATTACHMENT A VOICES: PAST, PRESENT, FUTURE A Symposium on Cultural Development Saturday, November 4, 2000 12:00 P.M. - 5:00 P.M. Hosted by La Quinta Cultural Arts Commission GOAL: To educate community leaders including those in business, education and civic roles as to the value of aesthetics ensuring their participation in cultural development. The Symposium will focus on four areas: I. Community and the Arts Organizations, board and members California Arts Council Riverside Arts Foundation La Quinta Arts Association La Quinta Arts Foundation La Quinta Historical Society La Quinta On Stage Coachella Valley Arts Alliance Indian Councils Service clubs Rotary Soroptimists Boys & Girls Club Senior Center Private foundations . V!VA II. Business and the Arts Developers Businesses/Chambers of Commerce III. Education and the Arts Schools Local/County, Superintendents Dr. Doris Wilson, Dr. Gaynes, Mr. Wilson, Darlene Dolan Outreach programs, LQAF, CVCAA Community Services Division, City of La Quinta McCallum Theatre Institute, Aesthetic Education Program, Kajsa Thuresson-Frary IV. Government and the Arts All mayors, councils, commissions City managers and staff Representatives from State, Federal, Local governments Proposed Program could include: Mayor Pena, welcome, identifying accomplishments of City Keynote Speaker on Quality of Life, e.g., Jack Mackie, Chair of Public Art Program in Seattle Statement on The Value of the Arts, Kathryn Hull Economic Impact Creating collaborations between government, schools, community organizations and business Exhibits Award -winning High School student artwork Professional artists Tour of City Hall art collection during break Performances by local professional or student artists Music Dance Questions/answer with panelists Summary of day's information Reception at end of day Time for informal conversations Background music Possible Panel members: Consultant, e.g., John Nagus Victoria Hamilton (Americans for the Arts, San Diego) Artist/Architect - Tom Doczi KSL/Rancho La Quinta representative Darlene Dolan, DSUSD Jerry Allen, San Jose Barry Heussenias, Executive Director, California Arts Commission Senator Adam Schiff, Joint Committee for the Arts Colleen McBride, Executive Director, Riverside Arts Foundation Representative from a city's successful cultural arts program Prepare pertinent questions for panelists Budget: Reception $ 100 Speaker(s) $1,700 Printing/mailings Questions: How do we achieve our goals How do we get key individuals involved How do we get citizens to attend Who do we want as speakers/panelists Where do we go from here Will this make a difference; if so, how Yahoo! Mail http://us.fl l.mail.yahoo.rom/ym/ShowLetter?YY=17695&order—down&sort--date&pos=�) Inbox for rshamis31@yahoo.com Yahoo! - My Yahoo! ATTACHMENT B U Mail M Addresses 6 Calendar �--, Notepad crFctt,, increase vo:,f ccrrinq potentic{ ap y Reply All Forward as attachment �, Choose Polder - Inbox -- Move Dele#e j --a .. Add Addresses Date: Sun, 02 Apr 2000 21:39:06 -0700 From: Jack Mackie/Leslie Gamel <jamgam@uswest.net> I Block address To: Rosita Shamis <rshamis3 I @yahoo. com> Subject: Mackie resume Hello Rosita, Download Attachments I've enclosed here as a Word attachment my complete resume in the event you need to send it to others. I've also copied here, below, the resume in full. It is broken into three sections which are distinguished by the dotted lines. The first section is a brief narrative that can be used for press releases or for introductory remarks. The second section is the "short -form" resume. The third is the detailed resume. If you have questions or need assistance in deciphering this please telephone me. I had hoped to have here for you the proposal of fees and costs that we discussed. I will have that to you later in the day on Monday. Look forward to talking with you, Jack Mackie Jack Mackie is a public artist who resides in Seattle, Washington. In twenty-three years of practice in the discipline of public art he has participated in major urban redevelopment and new construction projects including serving as lead design team artist for the $450M Downtown Seattle Transit Project; project artist for the Santa Clara County California $560M light rail project; design team member with MBM Arquitects, Barcelona, for the $145M Bute Avenue Corridor in Cardiff, Wales, U.K.; lead artist for American Airlines and Miami International Airport for the new 47 gate international terminal; and design team artist with NBBJ Architects for a new Wright Rundstad / King County office building in downtown Seattle. He has co-authored the Art and Design Program for the Dallas Area Rapid Transit Authority; the Aesthetic Design Standards and Design Implementation Procedures for CENTRO Transport Authority, Birmingham, UK; and has authored the Portland State University Public Art Guidelines, Portland, Oregon, and the Public Art Program for the Memphis/Shelby County Central Library. He is past chair of the Public Art Committee for the Seattle Arts Commission and currently serves as artist representative to the Seattle Light Rail Review 1 /4/80 5:18 1 of 14 Yahoo! Mail Panel. http://us.fl l .mail.yahoo.com/ym/ShowLetter?YY=17695&order—down&sort--date&pos�0 Through working in collaboration with artists, engineers, architects, urban planners and the citizens of the communities being served, Mr. Mackie has come to understand that while public art requires an enlightened attitude, the art of making places public fosters that attitude. JACK MACKIE 55 South Atlantic Street #405 Seattle, Washington 98134 USA (206) 624-4889 jamgam@uswest.net Awards Washington State Governor's Arts Award, 1999. Associated General Contractors Excellence in Construction Award, 1999. ASID Cultural Achievement Award, 1991. AIA Design Merit Award, 1990. Letter of Commendation, Seattle Design Commission, 1986. Selected Desip-n Team and Commissioned Works: North Shore Riverfront Park: Pittsburgh, Pennsylvania 1999 to present. Design team artist for the City of Pittsburgh with EDAW, Inc. Landscape Architects. Mesa Performing Arts Center: Mesa, Arizona 1999 to present. Design team artist for the City of Mesa Arts and Entertainment Center. Miami International Airport: Miami, Florida 1999 to present. Design team artist for American Airlines, the Miami Department of Aviation and Metro -Dade Art in Public Places. King Street Center: Seattle, Washington 1999. Design team artist for the King County Arts Commission and Wright/Runstad Development Corporation. Simpkins Family Swim Center: County of Santa Cruz, California 1998. Commissioned artist by the County of Santa Cruz Parks Department. Tasman Light Rail Corridor: Santa Clara County, California 1997 to present. Project Artist for the Valley Transportation Agency, Santa Clara County, California. City/County Justice Center: Scottsdale, Arizona 1995 Design Team artist for the City of Scottsdale. West Main Street Arts District Redevelopment: Louisville, Kentucky 1992 - 1996 Project Artist for the Louisville Development Authority. Ross's Landing Public Plaza: Chattanooga, Tennessee 1992 Project Artist for the City of Chattanooga and the River City Development Company. 2 of 14 1/4/80 5:18 Yahoo! Mail http://us.fl 1.mail.yahoo.com/ym/ShowLetter?YY=17695&order=down&sort=date&Pos= O Downtown Seattle Transit Project: Seattle, Washington 1985 - 1990 Lead Design Team Artist for King County Metro Transit. Recipient of AIA Design Merit Award, 1990; ASID Cultural Achievement Award, 1991. Eckstein Community Center: Seattle, Washington 1986 Design Team Artist for the Seattle Parks and Recreation Department. Awarded a Letter of Commendation from the Seattle Design Commission. First Avenue Streetscape Plan: Seattle, Washington 1980 to present. Design Team Artist for the Denny Regrade Community Council, Seattle Department of Neighborhoods, King County -Metro Transit, Seattle Arts Commission and the National Endowment for the Arts. Public Art Master Plan, Study, and Consultant Proiects: Rapid Transit Office, B.C. Transit Public Art Master Plan; Vancouver, B. C. Canada 1999 City of Ogden, Utah: Public Art Master Plan 1999 City of Santa Cruz, California: Public Art Master Plan 1997 - 98 Nashville Central Library: Art Program consultant; Nashville, Tennessee 1998 Scottsdale Civic Center: Public Art Master Plan; Scottsdale, Arizona 1998 Memphis Shelby County New Civic Library: Public Art Master Plan; Memphis, Tennessee 1997 Bute Avenue Corridor; Cardiff Bay Development Corporation: Programme Artist; Cardiff, Wales, United Kingdom 1994 Coal Harbour Neighborhood; ASPAC Development Corporation: Public Art Program Consultant; Vancouver, B.C. Canada 1994 to present. CENTRO Midland Metro: Public Art Programme Development Consultant; Birmingham, United Kingdom 1992 Richmond, British Columbia, Canada: Urban Plan Study Artist 1992 Denver International Airport: Public Art Consultant and Program Technical Advisor; Denver, Colorado 1991 - 1994 Portland State University: Public Art Master Plan; Portland, Oregon 1991 1/4/80 5:18 3of14 Yahoo! Mail http://us.fl 1.mail.yahoo.com/ym/ShowLetter?YY=17695&order=down&sort--date&pos-4 Kingdome Stadium: Public Art Master Plan; Seattle, Washington 1989 Dallas Area Rapid Transit: Public Art Master Plan; Dallas, Texas 1987 Current Board or Review Panelist Seattle Design Commissioner Seattle Light Rail Review Panelist Seattle -Tacoma International Airport Public Art Advisory Board Allied Arts of Seattle, Co-chair Arts Advocacy Committee Selected Proiects and Budgets: Please refer to complete resume for additional project information. KING STREET CENTER, SEATTLE, 1999. Wright Rundstad Development Corporation, King County Public Art Program. In association with NBBJ Architecture. Artist's efforts brought forward through architectural construction documents and General Contractor. Direct design / construction responsibility: $840,000.00 Artist design, documentation, construction administration fee and costs: $71,400.00 SIMPKINS FAMILY SWIM CENTER, 1998. County of Santa Cruz, California Commissioned artwork - $110,000.00 MIAMI INTERNATIONAL AIRPORT, TERMINAL E, 1996. In association with Carolyn Braaksma, artist, and Ron Frazier Architects. Total construction budget: $110M. 60% construction documents working art budget: $ 1,502,843.00 Artist design fee and costs: $ 43,818.00 TASMAN LIGHT RAIL CORRIDOR, 1996. Valley Transportation Agency, San Jose, California. In association with PB/MK Engineering and SBA Architects. Total construction budget: $560M. Direct responsibility for design and implementation of $1.2M art program. Artist/consultant fee and costs: $110,539.00. WEST MAIN ARTS DISTRICT STREETSCAPE, 1996. City of Louisville, Kentucky. In collaboration with EDAW, Landscape Architects without a specific budget allocation for art. Artist's efforts brought forward through architectural construction documents and General Contractor. Total Project Construction Budget: $3,500,000.00. Direct design / construction responsibility: $280,000.00. Artist design, construction administration fee and costs: $51,155.00. Sole source specialty element fabrication/construction subcontracted through artist: $23,050.00. 1/4/80 5:18 4of14 Yahoo! Mail http://us.fl 1.mail.yahoo.com/ym/ShowLetter?YY=17695&corder—down&sort--date&pos=0 CITY/COUNTY JUSTICE CENTER, 1995. City of Scottsdale, Arizona. In association with Dick and Fritsche Architects. Artist's primary efforts brought forward through architectural construction documents and General Contractor. Total Construction Budget: $4,700,000.00. Direct design / construction responsibility: $320,000.00. Design, documentation, construction administration fee and costs: $30,000.00. Sole source specialty element fabrication/construction subcontracted through artist: $35,000.00. ROSS'S LANDING PARK and PLAZA, 1992. City of Chattanooga, Tennessee. In collaboration with EDAW, Landscape Architects, and SITE Architects without a specific budget allocation for art. Artist's work brought forward through architectural construction documentation and General Contractor. Total Construction Budget: $7,800,000.00. Direct design / construction responsibility: $245,000.00. Design, documentation, construction administration fee and costs: $58,097.00. Sole source specialty element fabrication/construction subcontracted through artist: $16,004.00. DOWNTOWN SEATTLE TRANSIT PROJECT, 1990. Metropolitan Transit of Seattle. In collaboration with PBQD Engineering and TRA Architecture. architectural construction documentation and General Contractor. Total Construction Budget: $450M. Direct design / construction responsibility: $542,262.00. Design, documentation, construction administration fee and costs; Artist's work brought forward through ECKSTEIN COMMUNITY CENTER, 1984. Seattle Parks and Recreation Department. In collaboration with ARC Architecture with no specific budget allocation for art. forward through architectural construction documentation and General Contractor. Renovation and New Construction Budget: $1,696,000.00. Direct design / construction responsibility: $115,000.00 Artist Design Fee: $9,178.00 BROADWAY LOCAL IMPROVEMENT DISTRICT, 1982. Seattle Engineering Department and Seattle Arts Commission. "Dance Steps on Broadway" - Commissioned artwork: $23,000.00. JACK MACKIE 55 South Atlantic Street #405 Seattle, Washington 98134 USA (206) 624-4889 jamgam@uswest.net Artist's work brought 5 of 14 1/4/80 5:18 Yahoo! Mail hup:/bs.fl 1.mail.yahoo.com/pWShowLetter?YY=1 Awards Washington State Governor's Arts Award, 1999. ASID Cultural Achievement Award, 1991. AIA Design Merit Award, 1990. Letter of Commendation, Seattle Design Commission, 1986. SELECTED PUBLIC ART, MASTER PLAN, AND STUDY PROJECTS North Shore Riverfront Park: Design team artist for the City of Pittsburgh, in association with EDAW landscape architects, for the 1.6 mile long urban park at the confluence of the Allegehny and Monongahela Rivers in downtown Pittsburgh. Currently in schematic design. Mesa Performing Arts Center: Design team artist for the City of Mesa, Arizona, for the new $90M three theater, fine art gallery, and artist studio facility in association with BOORA Architects, DWL Architecture, and Martha Schwartz, landscape architects. Final Design currently scheduled for September 2000. City of Ogden, Utah, Public Art Master Plan: Program consultant in affiliation with Jerry Allen Associates in the creation of a Public Art Plan for the City of Ogden. Specific tasks provide analysis of urban design/public art opportunities in coordination with the City Capital Improvements Program and facilitating public art workshops with local artist, city staff and the Ogden design community. 1999. Miami International Airport, Miami, Florida: Design team artist for American Airlines, the Miami Department of Aviation and Metro -Dade Art in Public Places in association with The Corgan Architectural Team to develop a comprehensive plan for the implementation of a public art program for the new American Airlines North Terminal hub. Currently completing Art Programming while collaboratively designing building components with the architecture team. King Street Center, Seattle, WA: Design team artist with NBBJ Architects for the King County Arts Commission and Wright/Runstad Development Corporation charged with the collaborative design of a 14,000 square foot public plaza for a new office building in downtown Seattle. 1999. City of Santa Cruz, California, Public Art Master Program: Planning consultant in affiliation with Jerry Allen Associates in the creation of a Public Art Program for the City of Santa Cruz. Specific tasks focused on providing analysis of urban design/public art opportunities and conducting public art workshops based on upcoming infrastructure projects with local artist and design communities. 1997 - 98. Memphis Shelby County New Civic Library, Memphis, Tennessee: Project artist in collaboration with Art Consultant Jenifer Murphy charged with overall planning and development of an integrated public art and architecture program for the $60M New Civic Library. 1997. Simpkins Family Swim Center, County of Santa Cruz, California: Commissioned artist to create the Vessel Fenceline Sculpture for the new community swim facility. Total commission: $100,000.00. 1998. Scottsdale Civic Center Mall Master Plan: Project artist in collaboration with Todd and Associates to create the Master Plan for renovation of the Scottsdale, Arizona, Civic and Cultural Center Mall. 1998. Miami International Airport, Miami, Florida: Design artist for the Miami Department of Aviation and Metro -Dade Art in Public Places on the expansion of International Terminal E in collaboration with artist 6 of 14 1 /4/80 5:18 Yahoo! Mail http://us.fl 1.mail.yahoo.com/ym/ShowLeUer?YY=1 Carolyn Braaksma, and project architect, Ron Frazier Associates. Specific artistic effort is directed to the design of the 90,000 square foot departure level terrazzo floor. Currently in Final Design with construction scheduled to begin Fall 2000. Tasman Light Rail Corridor, Valley Transportation Agency, Santa Clara County, California: Project Artist, in collaboration with PB/MK Engineering and SBA Architects, charged with design and implementation of an integrated aesthetic design program including the establishment of Agency Art Policy; the VTA Aesthetic Review Committee; and the collaborative design of alignment elements and stations with project engineers, architects and station artists. 1997 and ongoing. City/County Justice Center, Scottsdale, Arizona: Design team artist in association with Dick and Fritsche Architects for a new Courthouse and Police Precinct Station. Artistic efforts directed towards design of the building entry facade, courtroom detail, plaza design, landscaping, and seating elements. 1995. Bute Avenue, Cardiff, Wales, United Kingdom: Feasibility study team artist in collaboration with artists Jane Kelly and David Patten and MBM Arquitects of Barcelona for the Cardiff Bay Development Corporation's 1.2 mile development of the Bute Avenue corridor to connect the City Centre with the City Harbour. Study completed 1994. Coal Harbour Development, Vancouver, B.C. Canada: Public Art Program consultant in association Urban Art Management, Vancouver, for ASPAC Developments Ltd and Marathon Realty Company's downtown Vancouver 46 acre urban renewal project with a $2.9M public art budget. 1994 - ongoing. West Main Street Cultural Arts District Redevelopment, Louisville, Kentucky: Project Artist in collaboration with EDAW, Inc. Landscape Architects, for the Louisville Development Authority. Tasks include collaborative design of the overall streetscape, creation of specific design elements, and engagement of regional artists' work for the project. 1992 - 1996. "Landscape As Art" Corcoran Gallery of Art Washington, D.C. 1992 CENTRO Midland Metro, Birmingham, United Kingdom, in association with artists Alice Adams and Andrew Darke, and ALS Planning; charged with development of a Public Art Plan for the 21 kilometer Centro Midland Line One Light Rail Project. The plan defines aesthetic standards of excellence for system design, includes artists as integral design team members, and will be employed by Centro in the selection of its Engineering and Architectural consultant. 1992. "Reclaiming The Garden City" Richmond Town Centre Planning Study, Richmond, British Columbia, Canada, in association with Philips, Wuori, Long, Landscape Architects. The study proposes a system of parks, open spaces, linear corridors, and streetscapes based in community heritage that restores balance, continuity, and understanding to the "Garden City". 1992. Project was the recipient of a 1993 National Design Citation from the Canadian Society of Landscape Architects. Denver International Airport: Technical Coordinator for the airport's $7.5M Art Program charged with integrating and coordinating artists' projects into the design and construction of the new $3.2 billion airport. 1991 - 1994. 7 of 14 1/4/80 5:18 Yahoo! Mail http://us.fl l.mail.yahoo.cone/ym/ShowLetter?YY=17695&order—down&sort--date&pos=�J Ross's Landing Public Plaza, Chattanooga, Tennessee: Team Artist in collaboration with EDAW, Landscape Architects, and SITE Architects. Participated in conceptualization of the Plaza/Park as the Story of Chattanooga. Artistic works tell this story through references to regional folk arts, local mythologies, and historic events including a marker for the Cherokee Trail of Tears. 1992. City of Dallas, Texas, Parks and Recreation Department: Artist team coordinator on soil erosion projects in six city parks. Assisted in design development and construction documentation of artist's design concepts within engineering erosion control requirements. 1987. Downtown Seattle Transit Project: Design Team Lead Artist on the $450M project with a $1.5M arts budget. Served as design artist and as team coordinator between twenty one artists and the architectural/engineering design and construction process. Duties included specific station design and commissioned projects; development of additional artists' projects, contracts and scopes of work; and assistance in construction documentation of artists' projects. 1985 - 1990. Recipient of AIA Design Merit Award, 1990; ASID Cultural Achievement Award, 1991. Eckstein Community Center: Team Artist for the Seattle Parks and Recreation Department; with ARC Architects and artist Ellen Ziegler. Work directed to site planning, building exterior detailings, gateways, and the Hopscotch Museum. Project was the recipient of a Letter of Commendation from the Seattle Design Commission. 1986. First Avenue Streetscape Plan: Team Artist for the Denny Regrade Community Council and Seattle Department of Community Development; with artist Buster Simpson. The plan develops the street as an Urban Arboretum/Linear Park and provides bus stop seating, street tree plantings, and sidewalk use guides. Funded in part by the National Endowment for the Arts and Seattle Arts Commission. 1980 and ongoing. Broadway Local Improvement District: Project Artist for the Seattle Engineering Department and Seattle Arts Commission, in association with MAKERS, urban planners. Participated in streetscape design with artistic emphasis directed towards visual continuity throughout the district. Specific work produced: "Dance Steps on Broadway", bronze cast shoe prints inlaid into the sidewalk in eight dance -step patterns along Broadway Avenue, Seattle. 1982. PUBLICATIONS and MASTER PLAN DOCUMENTS "Mesa Arts and Entertainment Center Public Art Master Plan" Prepared for the Mesa Public Art Program, Mesa, Arizona 2000 "Station Art & Transit Overview" Co-author: Leesa Strimbicki, Urban Arts Management Prepared for the Rapid Transit Office, B.C. Transit Vancouver, British Columbia, Canada 1999 "Art Integration: An Essential Design Component and Vehicle for Community Commitment in Santa Clara" Co-authors: William Barnes, P.E. and Robert Bertini, P.E. Presented at the Seventh National Conference on Light Rail Transit, Transportation Research Board, Baltimore, MD. 1995. 1/4/80 5:18 8of14 Yahoo! Mail http://us,n l.mail.yahoo.com/ym/ShowLetter?YY=17695&order=down&sort—date&pos=b "Program Outlining the Components and Key Steps in Establishing an Integrated Art Program for the Tasman Corridor Light Rail Project" Prepared for the Santa Clara County California Transportation Agency. 1994. "CENTRO Midland Metro Line 1 Design Standards and Design Implementation Procedures" Co-authors: Alice Adams and Andrew Darke, artists, in association the Public Art Commissions Agency, Birmingham, United Kingdom. Funded by the CENTRO Transport Authority of Birmingham, United Kingdom. 1992. "Portland State University Public Art Guidelines" Funded by Portland State University and the Oregon State Arts Commission in association with the Metropolitan Arts Commission of Portland, Oregon. 1991. "Public Art Master Plan for the Kingdome Stadium, Seattle" Co-authors: Sonya Ishii, Artist; Jim Hirschfield, Artist. Funded by the King County Arts Commission, Seattle. 1989. "Guidelines for the Establishment and Implementation of a Dallas Area Rapid Transit (DART) Art and Design Program" Co-author: Carol Valenta, Arts Administrator Funded by the Dallas Transit Authority, the City of Dallas Department of Cultural Affairs and the Texas Commission on the Arts. 1987. SELECTED BIBLIOGRAPHY Public Art Review "The One Percent Solution?" Judy Arginteaanu Summer/Spring 1998 Landscape Architecture "Rethinking River City" J. William Thompson, August, 1996. Sculpture "Public Commissions: Budgeting for Real Costs" Lynn Novelli Volume 15, Number 1. January 1996. On The Ground "Streetscape Vocabulary" Sally Woodbridge Volume 1, No. 4, 1995. Public Art Review "Go Public" Linda Johnson Dougherty Fall/Winter 1995. 1/4/80 5:18 9of14 Yahoo! Mail http://us.n l.mail.yahoo.com/ym ShowLetter?YY=17695&order—down&sort--date&pos=0 "How To Build An Urban Village" David Sucher City Comforts Press, 1995. ARTNEWS Studio: "The Comet That Changed His Life" Frances DeVuono, November, 1993. Landscape Architecture "Front Porch on the River" Robert Ivy, December, 1992. "IN COLLABORATION - ARTISTS ON THE DESIGN TEAM: A Practical Handbook" Lyn Kartiganer Published by the Municipality of Metropolitan Seattle. 1992. ARCHITECTURE "Cathedral of Conservation" Edward Gunts, September, 1992. Landscape Architecture "Down By The River" Philip Langdon, June, 1992. Architectural Record "Architectural Underground" Donald J. Canty, July, 1991. The New York Times "In Commuter Tunnel, Art at Each Stop" October 4, 1990. Seattle Journal of Commerce "A 1.3 Mile -long Gallery for Public Art" Clair Enlow, September 12, 1990. Artist's Trust "METRO" Loch Adamson, Autumn 1990. The London Financial Times "In Seattle art is integrated into city planning" Deanna Pethebridge, January 12, 1990. Public Art Review "Design Team Notes" Volume 1, Number 2; Summer 1989. 10 of 14 1/4/80 5:18 Yahoo! Mail http://us.fl 1.mail.yahoo.com4mVShowLetter?YY=17695&order—down&sort--date&pos=0 "GOING PUBLIC: A field guide to developments in art in public places" Jeffery Cruikshank, Pam Korza The Arts Extension Service and the National Endowment for the Arts. 1988. REFLEX "The Fine Print Of Public Art" Doug Hopkins, December, 1987. The Philadelphia Inquirer "The mixing of art and public spaces" Thomas Hines, October 18, 1987. 1'ARCA "The Downtown Seattle Transit Project" Albert Stevens, June, 1987. Art in America "Seattle Sites" Bill Berkson, July, 1986. INSIGHTS/ON SITES Perspectives on Art in Public Places Partners for Livable Places, Washington, D.C. 1984. Reader's Digest "Waltz Street" Frank Zoretich, March, 1984. "Place Makers: Public Art That Tells You Where You Are" The Townscape Institute, Cambridge, MA. 1981. LECTURER / PANELIST Seattle Design Commission Commissioner, Artist's Chair 1999 - 2003 Louisiana Arts Symposium State of Louisiana Arts Commission Baton Rouge, LA 1999 Light Rail Review Panel City of Seattle, 1998 - 2006. Elevating the Design Quest City of Scottsdale Design Review Board Scottsdale, AZ 1998. Pike Street Improvement Task Force 11 of 14 1/4/80 5:18 Yahoo! Mail http://us.fl I.mail.yahoo.com/ym/ShowLetter?YY=17695&order=down&sort=date&pos=O Richmond, British Columbia. 1992. "CONGRESS 91" Keynote Respondent, Canadian Society of Landscape Architects, Toronto, Canada. 1991. Public Art Institute National Advisory Board Member 1991-1994. "PUBLIC / art" Landscape Institute of Northern Ireland, Belfast, Ireland. 1990. "Collaboration and Context" Public Art Symposium, Birmingham, United Kingdom. 1990. "The Art of Making Places Public" Canadian Institute of Planners, Vancouver, B.C., Canada. 1990. Public Art Steering Committee New Denver International Airport 1989 - 1991. "Arts and the Changing City: An Agenda for Urban Regeneration" International Public Art Symposium Glasgow, Scotland. 1988. "Next Stop, The Future: Is Collaboration the Right Track?" International Art in Transit Symposium Cambridge, MA. 1988. Design Arts/Visual Arts Collaboration Initiative and Art in Public Places Panels, National Endowment for the Arts, Washington, D.C. 1988. "The Artist and the Planning Process" Public Art in America Conference Philadelphia, PA. 1987. Policies on Public Art National Endowment for the Arts Washington, D.C. 1987. 13 of 14 1/4/80 5:18 Yahoo! Mail http://us.fl 1.mail.yahoo.com/ym/ShowLetter?YY=17695&order—down&sort—date&pos=o Seattle Design Commission Seattle, WA 1997. "From Studio to Street" Workshop on public work and the public artist. Metropolitan Nashville Arts Commission Nashville, TN 1997. Public Art and the A.D.A. Save Outdoor Sculpture Annual Conference Washington, D.C. 1996. "Economic Empowerment and Social Equity" International Forum on Arts and Humanities as Agents for Social Change Seattle, WA. 1996. "The Public Face of Public Art" Symposium Lindabrunn Lindabrunn Institute of Public Art, Vienna, Austria. 1995. "The Mediums of Public Art" North Carolina Arts Council and Winston Salem State University, 1995. City of Seattle Arts Commission Commissioner, 1995-99. Public Art Committee Chair, 1997-99. "The Broward Boulevard Corridor - a public art workshop" Broward County Cultural Affairs Council Fort Lauderdale, Florida. 1994. "Accessing Infrastructure" National Assembly of Local Arts Agencies Annual Conference, Dallas, TX. 1994. Wichita Design Symposium Wichita Arts Commission and Offices of Urban Planning, Wichita, Kansas. 1994. British Columbia Society of Landscape Architects, Keynote Speaker to the Annual Conference and Awards Ceremony Vancouver, British Columbia, Canada. 1993. Workshop on Civic Art Temple University and the University of the Arts, Philadelphia, PA. 1993. "Towards a City Centre" City of Richmond Town Forum 12 of 14 1/4/80 5:18 VI. BUSINESS ITEN1 D. otv S �p Fr CF'y OF TN�� CULTURAL ARTS COMMISSION MEETING DATE: April 13, 2000 ITEM TITLE: Change of Meeting Date - June 2000 RECOMMENDATION: Select an alternate date for the June Cultural Arts Commission meeting. BACKGROUND AND OVERVIEW: The Community Services Department Director will be unable to attend the June 8, 2000 Cultural Arts Commission meeting due to a scheduling conflict. Staff is requesting the Commission select another date to hold the June Cultural Arts Commission. Should the Commission desire to hold the Cultural Arts Commission meeting on June 8, 2000, an alternate staff member will be present at that meeting. ALTERNATIVES: The alternatives available to the Commission are: 1. Select an alternate date for the June Cultural Arts Commission meeting; or 2. Do not select an alternate date for the June Cultural Arts Commission meeting Provide staff with alternate direction. Dodie Horvitz, dornt'punity Services Director S:\Community Services\CAComm\CACRPT.013.wpd VII. CORRE!5. & WRITTEN MATERIAL A. Ti tt ,� 4 4 (4UM& P.O. Box 1504 78-495 CALLE TAMPICO LA QUINTA, CALIFORNIA 92253 March 15, 2000 Ms. Joyce Spizer 50-855 Washington Street Suite C-208 La Quinta, CA 92253 Dear Joyce: (760) 7 7 7 - 7 0 0 0 (TDD) (760) 777-1227 Congratulations on being selected as the recipient of our "Meet the La Quinta Artist" program. We are very excited about your participation as the featured artist at our "Culture in the Courtyard" event which will be held from 10:00 to 11:30 a.m. on March 23 and April 27. Please bring copies of your work for display at the event. A table will be provided for you. We look forward to hearing about your current book project, and other projects you have coming up. If you need any further information concerning the event, feel free to call me at 772-2000. Thanks again for your participation. S' cere Leslie McMillan Cultural Arts Commissioner G:\MyData\CRISTAL\CAC\MEETLQART.wpd V101-1 VII. CORRES. & WRITTEN MATERIAL B. March 22, 2000 TO: , The Members of the City Council of the City of La Quinta. SUBJECT: Resignation of Jackie Rasmussen from the Cultural Arts Commission. Due to unforeseen circumstances I must resign from the La Quinta Cultural Arts Commission. Thank you for appointing me to this position. I hope that at a later date I will be in a position to better contribute to the City of La Quinta. Coachella Valley Cultura llos(cd bN City of Pal m S, Public -N 5 97 m PIP-p Coming Soon by David. Morris 1:1-:Ijjccs Stevens Park lilt cractiN c Water St ulllttlrcl�tV Please Join Us for the Annual All -Cities 9:00 A.M. - Noon Thursday, April 20, 2000 Council Chambers C41,ro,a,.' Palm Springs City Hall E. 3200 E. Tahquitz Canyon Way Palm Springs, CA 92262 Discussions will include: Incorporating Art into Freeway Interchanges Creating Artist l ive/Wo& Spaces Establishment of a Coachella Valley Arts Alliance Public Art Project Updates RSVP 322-8321 11