The URL can be used to link to this page

2020 01 13 CSCCOMMUNITY SERVICES COMMISSION AGENDA JANUARY 13, 2020 COMMUNITY SERVICES COMMISSION AGENDA CITY HALL STUDY SESSION ROOM 78-495 Calle Tampico, La Quinta REGULAR MEETING MONDAY, JANUARY 13, 2020 5:30 P.M. CALL TO ORDER ROLL CALL: Commissioners Biondi, Blakeley, La Greca, Marley, and Chair Wyler PLEDGE OF ALLEGIANCE PUBLIC COMMENT ON MATTERS NOT ON THE AGENDA At this time, members of the public may address the Commission on any matter not listed on the agenda. Please complete a "request to speak" form and limit your comments to three minutes. The Commission values your comments; however, in accordance with State law, no action shall be taken on any item not appearing on the agenda unless it is an emergency item authorized by GC 54954.2(b). PRESENTATION 1.2020 US CENSUS – DOUG HASSETT 2.LIBRARY – MELISSA LUNDELL, LA QUINTA BRANCH MANAGER 3.LA QUINTA ART CELEBRATION – KAT HUGHES BUSINESS SESSION (MOTION REQUIRED) 1.APPROVE SECOND-ROUND OF PRE-QUALIFIED ARTIST LIST 2.APPROVE ARTWORK FOR ART PEDESTALS DEPARTMENT REPORTS 1.FRITZ BURNS POOL UPDATE 2.FRITZ BURNS PARK SPACE 3.COMPLETE STREETS UPDATE – PHASE II 4.SHORT-TERM VACATION RENTAL AD HOC COMMITTEE UPDATE CONSENT CALENDAR (MOTION REQUIRED) 1. APPROVE NOVEMBER 12, 2019 MINUTES Commission agendas and staff reports are available on the City’s web page: www.laquintaca.gov COMMUNITY SERVICES COMMISSION AGENDA JANUARY 13, 2020 COMMISSIONER’S ITEMS • SPECIAL JOINT MEETING – CITY COUNCIL & PLANNING COMMISSION, NOVEMBER 21 • TREE LIGHTING CEREMONY, DECEMBER 6 • IRONMAN 70.3, DECEMBER 8 • 2020 COMMUNITY WORKSHOP, JANUARY 11 ADJOURNMENT The next regular meeting of the Community Services Commission will be held on February 10, 2020, commencing at 5:30 p.m. at the La Quinta Study Session Room, 78495 Calle Tampico, La Quinta, California, 92253. DECLARATION OF POSTING I, Lisa Chaudhry, Community Services Commission Secretary (Secretary) of the City of La Quinta, do hereby declare that the foregoing agenda for the La Quinta Community Services Commission meeting was posted on the City’s website, near the entrance to the Council Chambers at 78-495 Calle Tampico, and the bulletin boards at the Stater Brothers Supermarket at 78-630 Highway 111, and the La Quinta Cove Post Office at 51-321 Avenida Bermudas, on January 9, 2020. DATED: January 9, 2020 LISA CHAUDHRY, Community Services Commission Secretary City of La Quinta, California Public Notices • The La Quinta Study Session Room is handicapped accessible. If special equipment is needed for the hearing impaired, please call the Community Resources office at 760- 777-7106, twenty-four (24) hours in advance of the meeting and accommodations will be made. • If special electronic equipment is needed to make presentations to the Community Services Commission, arrangements should be made in advance by contacting the Community Services office at 760-777-7106. A one (1) week notice is required. • If background material is to be presented to the Commissioners during a Commission meeting, please be advised that eight (8) copies of all documents, exhibits, etc., must be supplied to the Secretary for distribution. It is requested that this take place prior to the beginning of the meeting. • Any writings or documents provided to a majority of the Commissioners regarding any item(s) on this agenda will be made available for public inspection at the Community Resources Department at City Hall located at 78-495 Calle Tampico, La Quinta, California, 92253, during normal business hours. City of La Quinta COMMUNITY SERVICES COMMISSION MEETING: January 13, 2020 STAFF REPORT AGENDA TITLE: APPROVE THE SECOND-ROUND OF PREQUALIFIED ARTISTS RECOMMENDATION Approve the second-round of prequalified artists. EXECUTIVE SUMMARY • On May 13, 2019, the Commission approved the Art in Public Places (APP) guidelines, which called for the creation of a pre-qualified artist list. • The Commission established a prequalified artists list on October 14, 2019, comprised of ten artists, to commission artwork for upcoming projects. • LeBasse Projects International (Consultant) is recommending three artists for Commission consideration. • LeBasse and staff will continue to work with the City’s prequalified artists to prepare projects for the Commission and Council consideration. BACKGROUND/ANALYSIS Staff and LeBasse initiated the second-round of prequalified artists and secured three contenders that meet the art guidelines approved in May (Attachment 1). These artists provide interactive and experiential art, a wide variety of mediums ranging from murals to engaging-based sculptures and will create artworks unique to La Quinta. If approved, these artists will receive requests for proposals for future art installations. Application for the City’s prequalified artist list is on a rolling basis and the third-round of artists will be presented at a later Commission meeting. ALTERNATIVES The alternative is to accept all, some, or no artists from this round. Prepared by: Jaime Torres, Community Resources Management Analyst Approved by: Chris Escobedo, Community Resources Director BUSINESS SESSION ITEM NO. 1 JOHN CUEVAS % Lives and works in the Coachella Valley and Los Angeles, California Education: BFA, Art Center College of Design, Pasadena CA Public Art: 2019 “Hydra” - Mural commissioned by the City of La Quinta, Ca 2019 “Rainbow Falls” -Mural commissioned by Stuytown, East Village, NYC 2018 “Volta” -Mural commissioned by the City of La Quinta, Ca 2018 “Sun Crawlers” - Mural commissioned by the City of Palm Desert, Ca 2017 “Hot Tropics” -Mural commissioned by ROW DTLA & Smorgasburg LA 2017 “Sky Crawlers” -Mural commissioned by the City of Los Angeles 2017 “Avocado Fest” -Live painting/mural commissioned by Angel City Brewing, L.A. CA Exhibitions: 2019 “Jacuzzi Light Orchestra” -dba256 Gallery, Pomona, CA 2017 “Office Hours” -The Beta Main Museum, Los Angeles, CA 2016 “Perimeter 2” -Art Share LA, Los Angeles CA 2016 “Summer Group Show” -D.A.C. Gallery, Los Angeles, CA 2016 “Play” -Los Angeles Municipal Gallery at Barnsdall Art Park 2015 “Other Worlds” -C.I.N.C.O. Art Space, Highland Park/ L.A, CA 2015 “From Dusk till Drawn” -Museum of Contemporary Art, Santa Barbara, CA 2013 “Seeing in Tongues, Talking in Circles” -The Airliner, Los Angeles, CA 2013 “Station to Station” -Riverfront Studios, New York, NY 2013 “Cobra, Mambas and Matadors” -Art Center, Pasadena, CA Awards and Grants: *W.K. Kellogg Foundation *Grant Knapp Foundation Grant *CAA (Creative Artist Agency) grant www.johncuevas.org cuevex@gmail.com (323)313-4039 Dear%Le%Basse%Projects,% %%%%%I%am%writing%this%letter%to%be%considered%for%any%upcoming%projects%for%the%City%of% La%Quinta.%%La%Quinta%is%my%home!%%I%live%and%work%at%the%intersection%of%La%Quinta,% Palm%Desert,%Indian%Wells,%Bermuda%Dunes%and%Indio.%%I’ve%got%a%couple%of%nicknames% for%this%area,%but%ever%since%Silverlake’s%Hafo%Safo%came%on%the%scene,%all%us%adGhoc% cartographers%need%to%up%our%game!% %%%%I%love%the%Coachella%Valley%and%since%I%moved%here%full%time,%it%is%my%mission%to% inspire%and%amplify%the%creative%energy%of%the%Desert.%%La%Quinta%is%central%to%my% mission,%because%of%how%special%and%inspiring%I%find%it%to%be.%%I%instantly%fell%in%love% with%La%Quinta%and%it’s%community.%%From%the%obelisks,%the%citizens,%the%trails,%the% parks%and%the%pool%party%ghost%of%the%Cove%(Greta%Garbo?%%Tahquitz?),%La%Quinta% rocks%and%I%need%to%be%a%part%of%it!%% %%%Please%add%me%to%the%list%of%preGqualified%Artist.%%I%push%myself%with%every%new% project.%%I%have%projects%lined%up%in%Downtown%Palm%Springs,%El%PaseoGPalm%Desert% and%the%Piñata%District%in%Los%Angeles.%%I%mention%these%because%I%get%better%with% each%project.%%As%I%compiled%the%images%below,%I%realized%its%only%been%2%years%since%I% painted%“Sky%Crawlers,”%in%the%DTLA%Arts%District%.%%When%I%completed%“Sky% Crawlers,”%after%the%wildly%wet%winter%of%2017,%I%remember%looking%out%onto%the% craneGdotted%LA%Skyline%and%the%snowGcapped%San%Gabriel%Mountains%and%thinking% to%myself%“this%may%be%the%most%beautiful%location%I%ever%paint.”%%Then%came%“Volta”% and%“Hydra”%with%a%cottonGcandied%sunset%everyday%as%the%swell%of%the%Santa%Rosa% Mountains%thrust%into%the%stars%of%the%night%sky.%%I’ve%since%learned%to%dare%fate%with% grandiose%statements%of%gratitude%and%melodramatic%finality.%%So%here%goes,%“I%may% never%paint%a%location%as%beautiful%and%inspiring%as%the%La%Quinta%Cove!”%%Lol!%Truth% is,%I%do%know%of%a%place%and%it’s%still%in%La%Quinta!%%I%need%to%be%on%this%list!%%% Sincerely,% John%Cuevas% ATTACHMENT 1 Completed)Projects)Info:) % Sky$Crawlers% Acrylic%on%Primed%Concrete% 7%x%74’,%2017,%%$4,000%%% % Rainbow$Falls$ Tempura%on%Unprimed%Concrete% (5)%4%x%74’,%1,480%sq%ft,%2019,%$8,000% $ Volta$ Acrylic%on%Primed%Stucco% 12%x%70’,%2018,%%$5,000% % Hydra$ Acrylic%on%Primed%Concrete% 6.5%x%97’,%2019,%$5,000% % % % % % % % % Patrick Sheehan Abstract Painter, Muralist, Art Instructor Red Dot Gallery & Consulting, Palm Springs, CA — Owner May 2008 - Current (Gallery space closed in 2010, consulting firm still open) Owner/operator of a retail art gallery in Palm Springs, specializing in the showcase of artwork produced by artists with developmental disabilities. Worked closely with the Palm Springs Unified School District’s Arts Outreach Coordinator to help develop in-school arts programs to local Coachella Valley elementary schools. Melissa Morgan Fine Art, Palm Desert Gallery Consultant: June 2007-May 2008 Desert Academy of the Arts Foundation, Coachella Valley Assistant Director August 2003 - May 2007 Helped develop & implement programs at D.A.A.F that provided weekly after-school arts and music outreach programs to over 150 underserved elementary school children. This program was designed to offer ‘no-cost’ art and music instruction to students for the duration of the academic term. EDUCATION Illinois State University, Normal, Illinois Communications, Visual Arts September 1982 - May 1986 College of the Desert, Palm Desert, California Continuing education-- Mass Media, Communications September 1988 - May 1990 REFERENCES Louisa Castrodale, Riverside County, Arts Coordinator Direct # 760-202-6488, lcastrodale@rcoe.us Abby Sturgeon, Leadership Coachella Valley, Board Member Direct# 760-238-6402 Ted Grouya, CEO, American Documentary Film Festival Direct# 760-333-3603, ted@americandocumentaryfilmfestival.com 1257 Granvia Valmonte Palm Springs, CA 92262 (760) 636-8172 reddotps@gmail.com SKILLS A compassionate & morally ethical leader Hands-on, lead by the example work ethic Motivational & enthusiastic Fiscally responsible ORGANIZATIONS Chairman, City of Palm Springs Public Arts Commission 2010-2016 Volunteer Coordinator, American Documentary Film Festival, Palm Springs, CA 2015-2018 Volunteer, F.I.N.D. Food Bank, Martha’s Kitchen Coachella Valley Volunteer Arts Outreach Instructor, Palm Springs Unified School District 2005-Present Member, Parent Teacher Association, Katherine Finchy Elementary School, Palm Springs, CA City of La Quinta October 2, 2019 78-495 Calle Tampico Patrick Sheehan, Artist La Quinta, CA 92253 1257 Granvia Valmonte RE: Public Art Program Palm Springs, CA 92262 Letter of Interest Pre-Qualified Artist Program To Whom It May Concern: I am requesting to be placed on the City of La Quinta’s Pre-Qualified Artist Program list for muralists. I paint colorful and fun abstract murals that bring joy to the viewer and can be done as part of a community event for kids and adults. I’ve been painting murals both for the general public and private collectors for over twenty years and have worked with the Palm Springs Unified School District as well as local businesses. My mural work is born out of my passion for mid-century design, the abstract painters of the 1950’s and 60’s and my work makes no political statements. Just fun shapes and bright, happy colors. My background in the arts is extensive having worked in the gallery business on El Paseo Drive in Palm Desert, owned my own gallery and art consulting business in Palm Spring and volunteered for various arts-related non-profits in the Coachella Valley over the past two decades. I’m easy to work with, open to input from others and always try to include members of the community, school, or organization in the process of creating my work. Respectfully submitted, Patrick Sheehan 760-668-8172 reddotps@gmail.com Images of Mural Work, Large Abstract Format Patrick Sheehan, Artist Image #1-Renova Energy Corporation Image #2-Bubbling Wells Elementary, Desert Hot Springs, CA Image #3-Bubbling Wells Elementary, Desert Hot Springs, CA Image #4-Bubbling Wells Elementary, Desert Hot Springs, CA Image #5-Ramon Academy, Palm Springs, CA Image #6-Ramon Academy, Palm Springs, CA Image List - Patrick Sheehan, Murals TITLE DIMENSIONS MEDIUM YEAR COMPLETED DESCRIPTION VALUE/BUDGET #1:’ENERGIA’ 18’ X 30’ ACRYLIC ON DRYWALL 2018 Interior abstract mural $5,000-$8,000 #2: ‘FOR WEXLER’ 6’ x 8’ ACRYLIC ON STUCCO 2010 exterior abstract murals x 3 $8,000-$9,000 #3: ‘FOR WEXLER’ 8’ x 10’ ACRYLIC ON STUCCO 2010 Exterior abstract murals x 3 $8,000-$9,000 #4: ‘FOR WEXLER’ 15’ x 25’ ACRYLIC ON STUCCO 2010 Exterior abstract murals x 3 $8,000-$9,000 #5: Sail Away 15’ X 20’ ACRYLIC ON STUCCO 2011 Exterior Abstract mural $4,000 #6: Sail Away 15’ X 20’ ACRYLIC ON STUCCO 2011 Exterior Abstract mural $4,000 PHILIP VAUGHAN WORK SAMPLES 48 FT X 10 FT X 10FT . COMMISSIONED BY THE ARTS COUNCIL OF GREAT BRITAIN, PHILIP VAUGHAN'S FIRST PUBLIC ART COMMISSION. A PERMANENT INSTALLATION, OPERATING FOR 38 YEARS PRIOR TO RECENT RENOVATION EFFORT. THE SCULPTURE IS BUILT ON TOP OF THE ELEVATOR SHAFT OF THIS NATIONAL ART GALLERY ON THE BANKS OF THE THAMES IN THE SOUTH BANK ART CENTRE AND USES THE WIND DIRECTION AND SPEED AS ITS PRIMARY INPUTS. THE WORK REFLECTS THE WEATHER AROUND IT. Steel tubing, neon and argon tubing, transformers, custom-built dimming programmer, weather sensors. HAYWARD GALLERY, NEON TOWER 1972-2008 City of La Quinta Public sculpture - Letter of interest In order for public art to succeed, it is essential in my mind for the artist to work closely with the project team, the client group, architect, projects engineers and the general public who will use that space and other stakeholders. Art does have a functional aspect when incorporated into public space and I feel that exploring that aspect carefully is important to the work’s eventual success. The team: I will lead this project and handle everything from my studio here in the Los Angeles area. My daughter the talented sculptor and furniture maker Hannah Vaughan and I will work together on this project and she will bring her considerable fabrication and 3D modeling expertise to this project. I will also use my experience in museum and theme park design to put together a team of professionals with whom I have often worked in the past. These include Frank Weigand, chief mechanical engineer at TWT. Lisa Passamonte Green of Visual Terrain Lighting designers, and Peter Wynne Willson, of Pink Floyd fame and lighting designer and inventor extraordinaire. In the past I have done a significant number of public art projects in several different countries with budgets ranging up to well over $1 million. Some of that more technical work has entailed the use of electronics and light and virtual movement. In many of those pieces I have used the environment as a factor to ground the work in its new home and to provide variation in the programming of the pieces I will typically work with an electronics engineer to translate the desired motion into programming language and hardware. On larger structures it’s often necessary to work with the planner and architects and to enlist the services of a structural engineer. I welcome this kind of collaboration and teamwork and I positively enjoy the cooperation. My experience in my “day job” as a designer in the masterplanning of park spaces, design of theme parks, and design and fabrication of museum exhibits has taught me a lot about how to work well with teams, how to plan efficiently so that things get considered and produced in the right sequence and how to control costs and build to a budget. I have learned a lot in that world of environmental design that translates very effectively in my sculpture work, including developing and ability to work as part of a larger project team and to plan and stick to deadlines and budgets. I have worked extensively in the realm of public art since the 1970’s, both in the UK and here in the US and also all over the world. My past work carries a common thread of an abiding interest in interesting structural systems, such as geodesics and tensegrity structures, that reflect the ways that nature makes strong and complex elements. All my work is based on the observation of the structure and patterns found in nature. My interest in color theory in my college days back at Chelsea art school in London, led me to study the differences between reflective color and incidental color. Out of that grew a fascination with the use of light in my work and this has been sustained throughout my career. Initially I did a lot of work in Neon, more recently I have been attracted to a whole new generation of light sources powered by LEDs, partly because of their superior efficiency and low voltage safety characteristics and partly because of their inherent light and color qualities. Now we can bring this lighting and control technology to bear on the rapidly expanding field of environmentalism and the challenges of crafting a sustainable future for the human race and the other organisms that surround us. There is an important story to be told here and one that lends itself very well to my mind to being told through art and especially public art. I am pleased to submit my qualifications for this round of public art projects for the City of La Quinta. I am a Brit and have lived in the Pasadena area for over 30 years, During those years and I have spent a good deal of time in Joshua Tree, La Quinta and the Palm Desert area, camping with my kids, visiting good friends in La Quinta and generally falling in love with the area. I adore the desert, that environment, the light and the air and I would be delighted to be able to contribute to the cultural space of the City if I am selected. I see this sculpture work as helping create that atmosphere and focus, drawing people to the site through its energy and life and engaging the public in a conversation about all the arts and their place in public life. Philip Vaughan Art Bio: Philip was brought up in Le Havre, France the son of English parents and went to boarding school in England at the age of 9. He met Gordon Taylor his first mentor at Brighton College who started him on a lifelong love of architecture and painting and sculpture. He went to Cambridge University to study architecture and then transferred to art school graduating from Chelsea School of Art. After leaving his position as graduate research assistant at Northumberland Polytechnic art school, Philip Vaughan completed his first large public kinetic sculpture, the Neon Tower erected on the Hayward Gallery in 1972 on London’s South Bank Art Centre. He worked as kinetic sculptor in England and as a fine art lecturer in a number of British art schools, including two years teaching at the City of London University while he experimented with inflatables and kinetics and built an ocean-going sailing boat in Rotherhithe, in east London. In 1979 he sailed that boat across the Atlantic with his new wife Alice. Shortly after landing in Florida he started working for Walt Disney Imagineering designing dinosaurs, rides and sets for theme parks. In 1988 Philip set up his own design company in Los Angeles to work on museums, cultural projects and theme parks and he has been running that company since that time to the present. The firm designs works principally for the Asia and the Far and Middle East markets and is a specialist in technical design solutions including ambitious public art projects. He lives in Altadena and has all along been working and showing his work as a fine artist, working on sculpture, drawings, paintings and public art commissions. He continues to plan and build large public sculptures, using light and other media. Most recently he completed a large sculpture for the Buffalo Creek art Park in Nevada, working on the piece at a residency there. PHILIP VAUGHAN - Resume 1301 East Morada Place Altadena CA 91001 Fine Art website: http://www.philipvaughan.net COMMISSIONS & PUBLIC ART PROJECTS: * Atom Rebar Sphere sculpture commission. Buffalo Creek art center art park, Nevada 2018 * Embrace wood sculpture, Los Angeles Arboretum 2017 * Big Bamboo 50ft high sculpture, Nature of Sculpture, LA Arboretum group show 2015 * “Walking Construction” Bamboo sculpture installation, Maloof Foundation 2014 * “Freefall” Neon sculpture, Museum of Neon Art, Glendale. California 2010 * Lunar Light Field - Concept for Man’s First sculpture installation on the Moon 2009 * Renovation of Hayward Gallery Light Tower, London 2007-2018 * Light Forest Maze, Commissioned by ADIH for project in Tunisia 2009 * Hachi Ni, Commissioned by Mr Theodore Kim 2006 * H2O Urban Center and Kinetic Tower, Commissioned by the Damo Corporation, Seoul, Korea 2004 * Fibonacci Spiral Fountain 2000 Commissioned By Kilroy Realty Corp with the assistance of the LA Cultural Affairs Dept for the Kilroy Westside Media Center, Los Angeles Rough stone slabs, concrete, pumps, valves, lighting and programmable controller. Set in natural landscape. 65 ft x 25 ft x 6ft ¥ Playground - Foundation for the Junior Blind, Los Angeles 2000 Design and construction of experimental play facility for handicapped children Cement Plaster rockwork, steel, shells, found objects, play equipment * Expanding Kinetic sphere sculpture 1999 Mycal Otaru, Hokkaido, Japan Commissioned by the Jerde Partnership, architects CNC machined aluminum, winch system, cables, Electronic controls, music, show lighting. 18ft diameter sculpture set in 80 ft x 70 ft x 40 ft environment. * Hanging Kinetic sculpture Biloxi, Mississippi. 1994 Fiber optic tape, high intensity illuminators, aluminum tubing., 30ft x 4 ft x 4ft * "Standing Wave" Hunter Museum Chattanooga, Tennessee. 1987 16ft x 8ft ferro-cement sculpture. * Bede Tower, Bede Gallery, Jarrow, England. 1978 45 ft tall neon and steel tower, using complex electronics. Commissioned by Northern Arts Council, UK * Jubilee Tower, 1977 Arboretum Park, Walsall, England. 60 ft neon and steel guyed tower. Client: City of Walsall and Midlands Arts Council. * Hayward Gallery Neon Tower 1972 South Bank Arts Centre, London, England 48 ft tall neon & steel structure with sophisticated interactive weather sensing system. Client: Greater London Council and Arts Council of Great Britain Gallery: Wallspace Gallery, Valda Lake, Director, 607 N La Brea, Los Angeles CA 90036 Representation: Matthew Hockley Smith, London UK SELECTED EXHIBITIONS: ¥ Abstractions from Nature, LA Artcore Gallery, One man show, Los Angeles 2019 ¥ Disasters/History drawing show with Lynne McDaniel- Long Beach City College Gallery 2019 ¥ Expressions in the Abstract, group show - Borrego Springs art institute 2018 ¥ LA Art Association Group show : Hecho a Mano” 2018 ¥ El Camino College art Gallery Group show 2018 ¥ Little Britain group show, Vita art Center, Ventura 2018 ¥ Forces of Nature, LA Arboretum group sculpture show of works created from drought damaged trees. 2017 ¥ Ryman Arts Open Studio, sponsored by Raymond James. Artists studio in Altadena CA 2017 ¥ British Invasion group show, MOAH Lancaster Museum of Art California 2016 ¥ Neon group Show, Lois Lambert Gallery, Bergamot station, Los Angeles 2016 ¥ Black and Light, One-man show, Wallspace Gallery, Los Angeles 2016 ¥ Osmosis show, Wallspace Gallery, Los Angeles. 2015 ¥ One-Man show. Counterintuitive Constructions, Curve Line space Gallery Los Angeles 2015 ¥ London Transplants, Britweek LA UAL alumni group show 2015 ¥ Combines, group show bG Gallery, Bergamot station, Los Angeles 2015 ¥ Massive, Brilliant, Mint, British Diaspora, Long Beach City College Gallery CA 2015 ¥ LA Art Show 2015, bG Gallery, LA Convention Center, Los Angeles 2015 ¥ Two Man show – LA Artcore Gallery, the Brewery LA with James Finnegan 2014 ¥ Group Drawing show: Brand library; Glendale, CA 2014 ¥ Maloof Foundation, Rancho Cucamonga, CA Group Garden sculpture show. 2014 ¥ One Man Show “Constructions from Nature” MLY Gallery, Malibu California 2014 ¥ “Patterns” Los Angeles Art Association Group show 2014 ¥ Bistango, Irvine, group show 2014 ¥ HudsonLinc Gallery, Pacific Design Center, Los Angeles. group neon show 2014 ¥ Group show, Los Angeles Art Association 2013 ¥ The Journey, University of the Arts Alumni Group show, LA Trade Mart, Los Angeles. 2013 ¥ Ryman Foundation show, Los Angeles 2011 ¥ “Trees” group show, House of Balsamic, Irvine CA 2011 ¥ One man drawing show- “Constructions in Time” at Curve Line Space Gallery, Eagle Rock, Los Angeles ¥ Inaugural show, House of Balsamic, Irvine California ¥ “Turned On” Group Show, Bleicher Golightly Gallery, Santa Monica, CA, curator Joella March 2010 ¥ Museum Of Neon Art group show, Curated by Kim Koga 2009 ¥ “Synchronicity”, One Man Show, Phantom Galleries, Long Beach Curated by Liza Simone ¥ Route 66 Group show, Eagle Rock art center 2006 ¥ One Man Show, Fine Artists Factory, Pasadena, California 2005 ¥ Altadena Artists, Group show. Altadena, California 2002 ¥ Group Show Gallery Artists, BGH Gallery, Bergamot Station, Los Angeles 2002 ¥ Functional Sculpture show, LACE Gallery, The Brewery, Los Angeles 1998 ¥ Royal Academy Summer Show, 2002The Royal Academy of Art, Piccadilly, London 1996 & 2002 ¥ Southeastern Sculpture Outdoors. A touring show of sculpture, Mississippi Museum of Ar 1983-1986 ¥ British Art Mid 70's - An Arts Council of Great Britain touring show, Germany 1975 ¥ Recent Kinetics - Arts Council touring show, England 1974 ¥ " Tables " - Group Show, Garage Gallery, London, UK 1973 ¥ One Man Show, Neon Sculptures, Garage Gallery, London UK 1973 ¥ Summer Show, Serpentine Gallery, London, UK. An Arts Council of Great Britain exhibition 1973 ¥ " Objects and Documents " An Arts Council touring exhibition selected by the artist, Richard Smith 1973 • "Magic and Strong Medicine " Walker Art Gallery, Liverpool, UK. Norbert Lynton, curator. 1972 ¥ Kinetics, Hayward Gallery, London, UK, curated by Theo Crosby 1970 ¥ Young Contemporaries group Show, London UK 1969 SELECTED COLLECTIONS: Mr. & Mrs. Richard Smith Mr. John Bloomfield Sir Patrick and Lady Head, London Mr. E. Rothschild Mr. & Mrs. Ledward Kozmian Mrs. Alice Anne Holthaus Arts Council of Great Britain Bede Gallery, Jarrow, UK Hayward Gallery, London, UK. Security Pacific Bank, CA Mr. Charles Hart Mrs. Wendy Munger, Lenny Gumport, CA Lady Suzanne Warner Hunter Museum of Art, Chattanooga,TN Kilroy Realty, Los Angeles. Mr & Mrs Matthew Oram Mr and Mrs Roberto Rodriguez Ms Stacey Gottula Mr Matthew Rea Museum of Neon Art, Glendale CA Ms Brogan Lane Ms Nancy Kyes Ms Kate Mc Andrew Ms Juliana Terian, Malibu CA Ms Betsy Lane WORK HISTORY: After leaving his position as graduate research assistant at Northumberland Polytechnic art school, Philip Vaughan worked as sculptor in England and as a Fine Art lecturer in a number of British art schools. In 1972 he completed his first major public art work, the 48ft tall Hayward Gallery Neon kinetic Tower in London. Later while teaching at The Sir John Cass art school in London, he built a 42ft sailing boat in East London. He married in 1979 and sailed that boat to the US with his wife, Alice. Shortly after arriving in Florida, he started working for Walt Disney Imagineering designing and building rides and sets for theme parks. In 1988 he set up his own design company, Vertex Productions, to work on museum exhibits and theme parks and on fine art projects. Meanwhile Philip maintains a professional practice, working in his studio in Altadena, California, on large drawings, large paintings on canvas and on sculpture projects. He has been regularly showing sculpture, drawings and paintings at both museums and galleries in the US and in Europe. During this time he has also completed a significant number of public sculpture commissions and sculptural installations. SPECIAL PROJECTS: • Buffalo Creek art Center, Nevada Sculpture Residency Summer 2018 EDUCATION City of London Polytechnic, Department of Fine Art, London, UK. Lecturer in Fine Art, undergraduate course. 1974-77 Newcastle Polytechnic, Newcastle, UK. Post graduate Research Assistantship in Fine Art 1970-72 Chelsea School of Art, London, UK. Undergraduate Painting and sculpture degree. 1st Class honors degree 1966-69 Hornsey College of Art, London, UK Foundation course in fine art 1965-66 Cambridge University, Queen's College Cambridge, Undergraduate Architecture 1963-64 Employment USA Walt Disney Imagineering – show designer 1980-84 Universal Studios, Los Angeles – Show Director Walt Disney Studios Florida – Show Producer Vertex Productions – Founder and president – Theme park design and Museum design 1988-2018 Savannah College of art GA, visiting lecture series 2016 AWARDS Honored as one of the 2019 Masters for the Themed Entertainment Association (TEA) Permanent Sculpture Commissioned for the Buffalo Creek Art Center sculpture park, Gardnerville, Nevada Designer for the new US Navy Surface Fleet Museum, USS Iowa Battleship, San Pedro Frank Weigand Education and Training x PURDUE UNIVERSITY, MSME, 1974; GPA: 3.75/4.0 (NSF Fellow) x UNIVERSITY OF NOTRE DAME, BSME, 1973; GPA: 3.75/4.0 x Inventor on 13 US patents; 6 pending Professional Experience 2000 to present: FOUNDER AND PRESIDENT, TWT, INC.; La CANADA, CA. Founded and grew consulting practice to include 25 associates and over $2M in annual revenues. Projects included industrial automation systems, off-road computer-controlled vehicles, museum exhibits, theme park attractions, and works of art. 1996 to 2000: INDEPENDENT CONSULTANT Provided technical and managerial services to clients in the entertainment industry. 1994 to 1996: VICE PRESIDENT, KENETECH WINDPOWER; LIVERMORE, CA. Directed Mechanical Engineering, Engineering Services and Technical Support functions (89 people) for world’s largest utility-scale wind turbine manufacturer. Improved existing product, resulting in availability increase from 76% to 95%. Led team that designed and built 520 kW wind turbine from concept to successful full-scale test in nine months. 1986 to 1994: WALT DISNEY IMAGINEERING; GLENDALE, CA. Manager, Ride Mechanical Engineering (6/89 - 1/94) Provided technical and administrative leadership for a new department responsible for the mechanical engineering of Disney rides worldwide, from concept through acceptance. Hired and trained 34 engineers, qualified 40 new major suppliers and pioneered the application of advanced CAD and simulation tools within Disney. Principal Mechanical Engineer (4/86 - 6/89) Provided overall technical leadership for a department of 23 engineers. Managed projects involving the application of advanced technology to Disney attractions, including Space Mountain, Star Tours and the Indiana Jones Epic Stunt Theater. 1974 to 1986: AiRESEARCH MFG. CO. (now Honeywell); TORRANCE, CA. Project Engineer: Power Systems (6/79 - 4/86) Responsible for direct supervision of 20 engineers developing missile and aircraft turbine power units. Program manager on key projects, responsible for cost, schedule and performance. Managed projects involving the design and development of power units and actuation systems for various airborne applications. Development Engineer: Rapid Transit Systems (9/74 - 5/79) Designed, developed and tested propulsion and suspension systems for advanced land vehicles, including 200-mph Single-Sided Linear Induction Motor Research Vehicle. 297 Grand St. Newburgh NY, 12550  626 644 1907  hannah.vaughan@gmail.com  www.hannahvaughan.com EDUCATION  2014-2016 MFA 3D Design Cranbrook Academy of Art, Bloomﬁeld Hills, MI  2005-2009 BA Studio Art and Religion (Graduated with Honors) Oberlin College, Oberlin, OH  2010-2011 Woodworking, Sculpture and Metal Working Penland School of Craft, Penland NC  2007 Fashion Design Studies Florence University of the Arts, Florence, ITALY  WORK EXPERIENCE 2016- present Hannah Vaughan Studio, NY Owner and lead designer. Design and fabrication of contemporary furniture objects, public art and interior design using new and recovered materials. Bid for projects and communicate directly with clients and gal- leries. Produce highly descriptive drawings on paper and 3D computer renderings. Fabricate prototypes and ﬁnished products and work directly with industrial fabricators. 2017 BOLT HQ, Autodesk, Pier 9, CA Lead Designer, Project Manager. Design and built large public art ‘Rust Screen’, and shipping container cafe for BOLT head quarters in San Francisco. Bid and won the job, travelled to San Francisco and worked alongside Autodesk, learning their new technologies and machines to fabricate and design projects for BOLT, an investment capital company. Managed and spearheaded the project from idea to fabrication to installation. Summer 2017 World Fellowship Center, NH Chair Workshop Instructor. Taught the basics of woodworking from selecting lumber, cutting and various means of joining to a mixed age group of students from 9 -70 years old. Lectured on the design process, from ideation to prototyping to manufacturing and assisted students in construction of my own design ‘Hands to Work’ a DIY shaker chair. 2015-2016 Cranbrook Academy of Art, MI Studio Manager of 3D Design Department. Managed a studio of 18 working artists and designers which entailed scheduling and running weekly critiques, organizing and providing texts and research for academic reading group on contemporary and historic design and art, and managed the organization and up-keep of the studio facilities. Summer 2015 Penland School of Craft, NC Assistant Metal Furniture Instructor. Assisted teaching an introduction to metal furniture course. Designed the course and assignments, led critiques, and worked one-on-one with students teaching MIG and TIG weld- ing, sheet metal fabrication and forming metal with a hydraulic press. Course also included lectures com- piled by myself on the history of craft furniture design. 2012-2014 Lagomorph Design, Chicago Director of Metal Shop, Woodworker and Production Manager: Responsibilities included organizing and running the metal shop, engineering furniture pieces from client specs for fabrication, material procurement, actually fabricating and ﬁnishing pieces and working with manufacturing to fabricate and ﬁnish pieces. Worked closely with clients from initial meetings through ﬁnal installation. HANNAH VAUGHAN 2012-2016 Vivian Beer, NH Summer Artist Assistant. Assisted Artist Vivian beer in research, fabrication, concept and design of furniture and large scale public art works made from steel, stainless, aluminum and cement. Also responsible for organizing and instructing summer interns that worked in the studio. Winter 2014 Desert Design Lab, Southwest US Artist Assistant and Collaborator. Funded by the Mineck Foundation, I assisted and collaborated with Vivian Beer on a two month long RV road trip and ‘Design Lab’ throughout California, Arizona, Nevada and Utah. I was in charge of research of geological area and organized the schedules of visiting artists, helped facilitate collaborative workshops including rubber casting desert textures and 3D scanning models. Also cooked and organized elaborate outdoor dinners in the desert and assisted in video and photo documentation. Winter 2006 David Nash; Blaennau Ffestiniog, N. Wales UK Artist Assistant. Assisted in the production of drawings and sculptures for museum exhibition, made detailed drawings of previous work for cataloging purposes, and assisted in the maintenance of the house and work- shops areas. SKILLS/ RESOURCES 3D Design- including Rhino and Sketchup, Adobe creative suite including Photoshop, Illustrator and InDesign, Excel and Word. Working knowledge of Spanish and Italian. Woodworking and metalworking including Mig and Tig welding, Sewing and pattern-making. Dual US and UK citizenship. EXHIBITIONS and SCHOLARSHIPS AMDC ‘BUILT’, NY DESIGN WEEK, May 2018 Dock 6 De- sign and Art Series #11 May 2018  Pavilion Gallery, ‘MAKING IS THINKING’- Chicago IL Fall 2017 Dock 6 De- sign and Art Series #10, group show- Chicago,Spring 2017 Toronto International Design Show, January 2017  Pavilion Gallery, ‘PROCESS: SIX ARTISTS IN CONTEXT’- Chicago IL, September 15th 2016  Dock 6 Design and Art Series #9, group show- Chicago, Spring 2016  Collective Design Fair, ‘Design for the End of the World’, NYC Design Week 2016 Merit Scholar- ship, Cranbrook Academy of Art, MI 2015 3D Travel Scholarship, Cranbrook Academy of Art, MI 2015  Studio Assistant Scholarship at Penland School of Craft, Penland NC, Summer 2015 Me- diations, Group Show, Forum Gallery, Bloomﬁeld Hills MI, Fall 2015  Circle Show, Group Show, Forum Gallery, Bloomﬁeld Hills MI, Spring 2015  Ideal Home Exhibition, Group Show, Forum Gallery, Bloomﬁeld Hills MI, Fall 2014   Don Albinson Scholarship for study at Cranbrook Academy of Art  Group show at Modern Cooperative- Chicago, Summer 2013  Dock 6 Design and Art Series #6, group show- Chicago, Fall 2013  Dock 6 Design and Art Series #5, group show - Chicago, Spring 2013  The 5th Wall, Group show at the Sullivan Gallery at The School of the Art Institute- Chicago, Fall 2012 Group Show at Penland Gallery- NC, Spring 2011  Work Study Scholarship to Penland School of Craft, two month Intensive Session- NC, Fall 2010 Work Study Scholarship to Penland School of Craft, two week session- NC, Summer 2010 Unclothed: a wearable art show at Cleveland Fashion Week- Cleveland OH, Spring 2009  SEAM, Senior Honors Exhibit at Oberlin College- Oberlin OH, Spring 2009 REFERENCES- upon request SELECTED EXHIBITIONS: •LA Art Association Group show :Hecho a Mano”2018 •El Camino College art Gallery Group show 2018 •Little Britain group show , Vita art Center, Ventura 2018 •Forces of Nature, LA Arboretum group sculpture show of works created from drought damaged trees.2017 •Ryman Arts Open Studio, sponsored by Raymond James. Artists studio in Altadena CA 2017 •British Invasion group show, MOAH Lancaster Museum of Art California 2016 •Neon group Show, Lois Lambert Gallery, Bergamot station, Los Angeles 2016 •Black and Light, One-man show, Wallspace Gallery, Los Angeles 2016 •Osmosis show, Wallspace Gallery, Los Angeles.2015 •One-Man show. Counterintuitive Constructions, Curve Line space Gallery Los Angeles 2015 •London Transplants, Britweek LA UAL alumni group show 2015 •Combines, group show bG Gallery, Bergamot station, Los Angeles 2015 •Massive, Brilliant, Mint, British Diaspora, Long Beach City College Gallery CA 2015 •LA Art Show 2015, bG Gallery, LA Convention Center, Los Angeles 2015 •Two Man show – LA Artcore Gallery, the Brewery LA with James Finnegan 2014 •Group Drawing show: Brand library; Glendale, CA curated by Jack Rutberg 2014 •Maloof Foundation, Rancho Cucamonga, CA Group Garden sculpture show.2014 •One Man Show “Constructions from Nature” MLY Gallery, Malibu California 2014 •“Patterns” Los Angeles Art Association Group show 2014 •Bistango, Irvine, group show 2014 •HudsonLinc Gallery, Pacific Design Center, Los Angeles. group neon show 2014 •Group show, Los Angeles Art Association 2013 •The Journey, University of the Arts Alumni Group show, LA Trade Mart, Los Angeles.2013 •Ryman Foundation show, Los Angeles 2011 •“Trees” group show, House of Balsamic, Irvine CA 2011 •One man drawing show- “Constructions in Time” at Curve Line Space Gallery, Eagle Rock, Los Angeles •Inaugural show, House of Balsamic, Irvine California •“Turned On” Group Show, Bleicher Golightly Gallery, Santa Monica, CA, curator Joella March 2010 •Museum Of Neon Art group show, Curated by Kim Koga 2009 •“Synchronicity”, One Man Show, Phantom Galleries, Long Beach Curated by Liza Simone •One Man Show, Fine Artists Factory, Pasadena, California 2005 •Altadena Artists, Group show. Altadena, California 2002 •Group Show Gallery Artists, BGH Gallery, Bergamot Station, Los Angeles 2002 •Functional Sculpture show, LACE Gallery, The Brewery, Los Angeles 1998 •Royal Academy Summer Show, 2002, The Royal Academy of Art, Piccadilly, London 1996 & 2002 •Southeastern Sculpture Outdoors. A touring show of sculpture, Mississippi Museum of Ar 1983-1986 •British Art Mid 70's - An Arts Council of Great Britain touring show, Germany 1975 •Recent Kinetics - Arts Council touring show, England 1974 •" Tables " - Group Show, Garage Gallery, London, UK 1973 •One Man Show, Neon Sculptures, Garage Gallery, London UK 1973 •Summer Show, Serpentine Gallery, London, UK. An Arts Council of Great Britain exhibition 1973 •" Objects and Documents " An Arts Council touring exhibition selected by the artist, Richard Smith 1973 • "Magic and Strong Medicine " Walker Art Gallery, Liverpool, UK. Norbert Lynton, curator.1972 •Kinetics, Hayward Gallery, London, UK, curated by Theo Crosby 1970 •Young Contemporaries group Show, London UK 1969 WORK HISTORY: After leaving his position as graduate research assistant at Northumberland Polytechnic art school, Philip Vaughan worked as sculptor in England and as a Fine Art lecturer in a number of British art schools. In 1972 he completed his first major public art work, the 48 ft tall Hayward Gallery Neon kinetic Tower in London. He married in 1979 and sailed the 40ft boat he had built in London to the US with his wife, Alice. Shortly after arriving in Florida, he started working for Walt Disney Imagineering designing and building rides and sets for theme parks. In 1988 he set up his own design company, Vertex Productions, to work on museum exhibits and theme parks and on fine art projects. Meanwhile Philip works in his studio in Altadena, California, on large drawings, large paintings on canvas and on sculpture projects. He has been regularly showing sculpture, drawings and paintings at both museums and galleries in the Los Angeles area and in New York. During this time he has also completed a number of public sculpture commissions and sculptural installations. SPECIAL PROJECTS: • Buffalo Creek art Center, Nevada S teel sculpture Residency Summer 2017 and 2018 * Savannah College of art GA, visiting lecture series 2016 Born: 1995 - California Owners: Lisa Passamonte Green & David Green Office Loca/ons: California, Illinois and France Completed: 1000+ projects designed to date Project Loca/ons: Every conDnent but AntarDca Exper/se: LighDng Design Cer/fica/ons: DBE (woman-owned) — California, Chicago Project Types Architecture • Casinos • Corporate Headquarters • EducaDonal InsDtuDons • Historical Buildings • Hospitality • Houses of Worship • Libraries • Lifestyle Centers • MunicipaliDes • Nightclubs/Bars/Lounges • Resorts • Restaurants • Retail • Site & Infrastructure • Spas AArac/ons •Area Development • Corporate Events • Family Entertainment Centers • Fund-Raisers • Guest Services • Individual AWracDons • LocaDon Based Entertainment • Museums and Traveling Exhibits • Product Launches • Restaurants • Retail • Theme Parks • Water Parks •Zoos Arts • Award Shows • Concert and Music ProducDons • Dance Shows • Galas • Live Events • Public Art • Theatrical ProducDons Award-Winning 10 THEA Awards 12 LighDng Awards of Excellence (various organizaDons) 45 LighDng Awards of Merit (various organizaDons) Services LighDng Design, including: •Bidding & NegoDaDon support •ConstrucDon AdministraDon •Create LighDng Layouts/PresentaDons •Custom/Themed Fixture Design •Design from Blue Sky to Opening Day •Develop Equipment SpecificaDons •Develop LighDng Design DocumentaDon •Focus & Programming Efforts •InstallaDon Supervision •LighDng Control System Design •Mockups •On-site Supervision •Video Driven LED Systems Our Compe//ve Advantage With our proprietary process and our team of strategic partners in design, procurement and integraDon, we will help you develop, implement, and execute your lighDng design within a budget, with no value engineering. Our process ensures you get the design you paid for. 25217 Avenue TibbiWs, Santa Clarita, CA 91355 USA +1 661-775-7758 phone • +1 661-775-7708 fax www.visualterrain.net Company Brief Architecture A)rac+ons The Arts Hugo Boss Stores Photographer: David Green LoWe World, Dragons Wild Shoo+ng! Photographer: Dongwook Jung/THG La Mirada Theatre, Rent Photographer: Jason Niedle Celebra+ng over 20 years of ligh+ng design for Company Résumés Résumé - Lisa Passamonte Green Experience 2001 - Present Visual Terrain, Inc., Santa Clarita, California. CEO/Principal-in-Charge/Co-Owner, LighLng Design Firm. 1995 - 2001 Passamonte LighEng Design, Valencia, California, Owner and Principal Designer, LighLng Design Firm. 1994 - 1995 Horton Lees LighEng Design, Santa Monica, California. 1990 - 1994 Walt Disney Imagineering, Glendale, California. Show LighLng Department, Intern & Assistant Designer. Selected Projects and Awards (ParEal List) 2018 IlluminaEon Engineering Society, North America (IESNA) - IIDA Award of Merit: Universal’s Volcano Bay; Orlando, Florida. Akin Gump law offices; Los Angeles, California. Ba.le For Texas: The Experience; San Antonio, Texas. Jameson DisLllery Bow St – Bar and Retail; Dublin, Ireland. NFL Hall of Fame – A Game for Life; Canton, Ohio. 2018 Lumen West Award of Excellence: Jameson DisLllery Bow St – TasLng and Tour; Dublin, Ireland. 2016 IlluminaEon Engineering Society, North America (IESNA) - IIDA Award of Merit: Laff Trakk, Hersheypark; Hershey, Pennsylvania. Dollywood Emporium, Dollywood; Pigeon Forge, Tennessee. Rays, Rivers Edge Park; Council Bluffs, Iowa. 2014 IlluminaEon Engineering Society, North America (IESNA) - IIDA Award of Merit: Pacific CollecLon. Aquarium of the Pacific. Long Beach, California. Dragons Wild ShooLng, Lo.e World; Seoul, South Korea. 2011 IlluminaEon Engineering Society, North America (IESNA) - IIDA Award of Merit: Hard Rock Cafe Tampa; Tampa, Florida. Choctaw Casino Resort Durant; Durant, Oklahoma. Lumen West Award of Excellence: Hard Rock Cafe Tampa; Tampa, Florida. Choctaw Casino Resort Durant; Durant, Oklahoma. 2012 Themed Entertainment AssociaEon Thea Award: Barnas Brannstasjon (Children’s Fire StaLon), Kongenparken; Stavanger, Norway. 2011 Themed Entertainment AssociaEon Thea Award: Beyond All Boundaries, NaLonal WWII Museum; New Orleans, Louisiana. 2009 Themed Entertainment AssociaEon Thea Award: The Simpsons Ride, Universal Studios, Hollywood, California. 2007 Themed Entertainment AssociaEon Thea Award- Museum Touring AXracEon: Ashes & Snow at the Nomadic Museum; Santa Monica, California. 2006 Lumen West Award of Merit: Silk the Club, Pechanga Resort and Casino; Temecula, California Complete list available by request. Professional Memberships • IlluminaLng Engineering Society (IESNA) • InternaLonal AssociaLon of LighLng Designers (IALD) - Associate Member • Themed Entertainment AssociaLon • American InsLtute of Architects EducaEon 1989 San Diego State University, San Diego, California Arts Baccalaureate in Drama with an emphasis in design for television and film. Visual Terrain, Inc.www.visualterrain.net Page of 2 10 48 FT X 10 FT X 10FT . COMMISSIONED BY THE ARTS COUNCIL OF GREAT BRITAIN, PHILIP VAUGHAN'S FIRST PUBLIC ART COMMISSION. A PERMANENT INSTALLATION, FIRST INSTALLED IN 1972 AND OPERATING FOR 38 YEARS.. THE SCULPTURE IS BUILT ON TOP OF THE ELEVATOR SHAFT OF THIS NATIONAL ART GALLERY ON THE BANKS OF THE THAMES IN THE SOUTH BANK ART CENTRE AND USES THE WIND DIRECTION AND SPEED AS ITS PRIMARY INPUTS. THE WORK REFLECTS THE WEATHER AROUND IT. IT SENSES THE WIND SPEED AND DIRECTION AND USES THEM FOR INPUT TO THE ELECTRONIC PROGRAMMING. CURRENTLY UNDER CONSIDERATION FOR A MOVE TO THE OLYMPIC SITE IN LONDON. BUDGET: APPROX $350,000 Steel tubing, neon, transformers, custom-built dimming programmer, weather sensors. HAYWARD GALLERY, NEON TOWER 1972-2008 DESIGNED TO CREATE A "PLACE" WITHIN A LARGE PUBLIC COMMERCIAL MIXED USE BUILDING. THE EXPANDING SPHERE HANGS ABOUT 25 FT ABOVE THE PUBLIC, IN A THEATRICALLY LIT CONICAL ENVIRONMENT OVER 80 FT TALL. IT CONSTANTLY OPENS AND CLOSES TO A MUSIC TRACK AS MOVING LIGHTS CAST CHANGING SHADOWS OVER THE SURROUNDING WALLS. COMMISSIONED BY THE JERDE PARTNERSHIP AND MYCAL CORPORATION, JAPAN. BUDGET APPROX: $1.3 MILLION CNC Machined aluminum, cables, computer controlled winch, intelligent lighting, custom music track EXPANDING SPHERE, OTARU JAPAN 1999 COMMISSIONED BY RTKL ARCHITECTS AND ADIH FOR PORTA MODA DEVELOPMENT, CARTHAGE, TUNISIA. MAZE OF ALUMINUM TUBES WITH LED LIGHTING STRIPS ATTACHED. LIGHTS TWINKLE AND CHANGE COLOR BASED ON MOVEMENT OF PASSERS-BY. DIGITAL RENDERING. BUDGET ESTIMATED AT $1.2 MILLION Aluminum tubing, concrete foundation, shallow reflecting pool, LED illumination, controls LIGHT FOREST LED SCULPTURE 2009 PUBLIC ART COMMISSION FOR OFFICE BUILDING IN WEST LOS ANGELES - 50FT X 15FT X 4FT SPIRAL SHAPED FOUNTAIN ARTWORK BASED ON THE FIBONACCI SERIES OF NUMBERS, COMMISSIONED BY KILROY REAL ESTATE AS PART OF A 1% FOR ART PROGRAM, LOS ANGELES. BUDGET: $250,000 INSTALLED Concrete fountain base, topped with Flagstaff stone, fountain system and variable speed pumps, programmer FIBONACCI WATER SCULPTURE, 2000 On permanent display in the sculpture garden at Buffalo Creek Art Center, Nevada. Built during a residency at Buffalo Creek Art Center, Gardnerville, Nevada. Modeled in Rhino and welded up in the Center's fabrication shops during the summer 2018 session. Budget: $ 90,000 approx. 10ft x 10ft x 10ft 5/8 Rebar welded and allowed to rust REBAR SPHERE 2018 City of La Quinta CITY COUNCIL MEETING: January 13, 2020 STAFF REPORT AGENDA TITLE: SELECT AN ARTIST TO FABRICATE ARTWORK FOR THE ART PEDESTALS ON CALLE ESTADO AND AVENIDA BERMUDAS, AND AVENIDA LA FONDA AND AVENIDA BERMUDAS RECOMMENDATION Select an artist to fabricate artwork for the art pedestals on Calle Estado and Avenida Bermudas, and Avenida La Fonda and Avenida Bermudas. EXECUTIVE SUMMARY •A Request for Proposal (RFP) was distributed to the City’s prequalified artists list for art designs for the village art and pottery rows. (pedestals). •The City received three proposals. •Both pedestals will be programmed by the selected artist. FISCAL IMPACT Total project cost is not to exceed $15,000. Funds are available in the Art in Public Places fund (207-0000-74800). BACKGROUND/ANALYSIS The Community Services Commission listed the pedestals as an opportunity for art (Attachment 1). A Request for Proposal was distributed to the City’s prequalified artist list; the proposed artworks (Attachment 2) are designed specifically for La Quinta. With the Village Complete Streets underway, the pedestals will play a key role facilitating social interactions, connecting visitors to adjoining businesses, and serve as a cultural asset in the Village corridor, by reflecting the surrounding area’s natural beauty, and embracing the Village’s vibrancy. ALTERNATIVES The Commission has identified as a top priority from the Commission’s art opportunity list, however the Commission may reopen the RFP. Prepared by: Jaime Torres, Community Resources Analyst Approved by: Chris Escobedo, Community Resources Director Attachment: 1.Art Pedestal Map 2.Proposed Artworks BUSINESS SESSION ITEM NO. 2 ATTACHMENT 1 Roberto L. Delgado RLD Studio 5684 Ash Street Los Angeles CA 90042 USA Tel: 323.243.9526 www.titodelgado.com titodelgado052@gmail.com This is a Project Proposal for the City of La Quinta Calle Estado and Avenida La Fonda Pedestals Public Art Project RFQ. I am a professional artist specializing in mixed-media public art design, fabrication, and installation. My interest in public art has always been to expand the combination of diverse techniques in hand-brushed acrylic murals and mobiles, and fired ceramic tile mosaic, murals, and pavers that complement the built environment and show the culture and history of the community. My art celebrates the figure in ways that juxtaposes people with their environment. It starts with the community and leads to the people that see it. The layered and somewhat abstracted work becomes a thoughtful puzzle that stimulates dialogue between the art and the viewer. In my tile work, this is done with layers of air brush stencils and photosilkscreens. This thoughtful puzzle becomes an engaging part of the public art experience, keeping the work “fresh” year after year. The pedestals represent a surface area of approximately 60 square feet. They can have tile treatments fabricated as shown in the examples renderings. The design is arrived at by researching the history and culture of the client area, along with any specific suggestions from the stakeholders. All projects involve working in close collaboration with architects, engineers, planners, and most importantly, the construction contractors and their crews. And I am well aware of the adjustments that often happen with architectural and construction documents. Current commissions include paver tiles for the Charlotte NC Hickory Grove Police Station (Todd Stewart todd.stewart@artsandscience.org704-335-3273), acrylic murals for the Lacy Community Center, Tulsa OK (John Paganelli jpaganelli@incog.org 918- 579-9455), and acrylicmurals and glasswork for the new Santa Clarita LA County Sheriff’sStation (Katherine Nestved 661-250-3777. KNestved@santa-clarita.com) ATTACHMENT 2 Roberto L. Delgado RLD Studio 5684 Ash Street Los Angeles CA 90042 USA Tel: 323.243.9526 www.titodelgado.com titodelgado052@gmail.com Budget City of La Quinta Calle Estado and Avenida La Fonda Pedestals Public Art Project Tile Treatments - Approx. 60 Square Feet at $250 per Square Foot Design 10% (research, photography, Photoshop processing, design, travel) $ 1,500 Fabrication Ø Artist Fee (prep to design and code specifications, tile cutting, stencil Drawing and cutting, silkscreen prep, silk screening, stencil positioning, airbrushing, hand application of slip trailing glaze, preliminary and final evaluation and touchup) $ 7,075 Ø Materials (ceramic tile, glaze, thinset, grout, hardware) $ 1,825 Ø Vender 3 (Subcontracted fabrication kilns, studio rental, insurance, and utilities) $ 2,900 Installation Ø Vender 4 (Site prep and installation) $ 1,200 Ø Shipping and shipping insurance $ 500 Total $15,000 Roberto L. Delgado RESUME Roberto L. Delgado, Inc. 5684 Ash Street Los Angeles CA 90042 USA Tel: 323.243.9526 www.titodelgado.com titodelgado052@gmail.com Professional Experience All the following include working closely with the architects and general contractors. References are cited. 2018 Ceramic tile paver work for the 4th District Court of Appeals, West Palm Beach (Lee Modica lee@leemodica.com 850- 766-7117); $24K; 2017 Passageway to Catlett Hall, University of Iowa; ceramic frit on glass; 13’ x 52’ (Shawn Albaugh Kleppe, shawn-a-kleppe@uiowa.edu); $90K 2017 A mobile for the entrance lobby of Rogers Park Community Center, Inglewood CA (Sabrina Barnes sbarnes@cityofinglewood.org); $25K; 2016 Acrylic mural for Portland Community College Cascade Campus Student Union (Rebecca Ocken, 503-706-2513 503.706.2513 rebecca.ocken@pcc.edu), $25K 2016 Inlaid tile on travertine stone benches, Crescent Bay Park in Laguna Beach CA (Sian Poeschl 949-4970722x4 spoeschl@lagunabeachcity.net); $35K 2016 City of Burbank-Incheon, South Korea, Sister Cities Project for sculptures and pavers installed at the Port of Incheon (PM Krista Dietrich, 818.238.5567, KDietrich@ci.burbank.ca.us) $50K; 2015 Cut-tile mural for the Valley METRO Main St. Station, Mesa AZ ( Ms. MB Finnerty, mfinnerty@valleymetro.org; $22K; 2015 Cut-tile mural work for the new Blake Transit Center in Ann Arbor, Michigan (Michelle Whitlow, MWhitlow@theride.org 734-794-1813); $50; 2014 Platform pavers for the San Bernardino CA Omnitrans Civic Center Station (Lesley A. Elwood, laelwood@earthlink.net, (310) 836-6512, www.elwoodandassociates.com) $35K; 2013 Commission for the Minneapolis-St. Paul Green Line Project for tile work on three stations (Alicia Vap, AICP Metro Council, 651-602-1961 Alicia.Vap@metc.state.mn.us). $557K 2012 A series of hand-brushed acrylic mobiles for the Anacostia High School cafeteria atrium in Washington DC, MaryBeth Brown, DC Commission on the Arts, marybeth.brown@dc.gov, 202.374.7835; $50K; 2011 A series of acrylic murals for the new Clark Middle School and an acrylic mural for Begich Middle School, Anchorage AK (Angela Demma, Curator of Public Art, 907-343-6473, DemmaAL@ci.anchorage.ak.us) $210K; 2010 Cut-tile artwork for Oregon State University’s Goss Stadium (Saralyn Hilde, Oregon Arts Commission, 541-754-7116, mshilde@comcast.net); $40K; 2010 Commission for the City of Los Angeles Valley Boulevard Grade Separation Project to design and install a number of large limestone stelae and varied mosaic and tile sidewalk floor treatments (Felicia Filer, LA Dept. of Cultural Affairs, ffiler@cad.lacity.org) $226K; 2010 Acrylic Mural, LA County Woodcrest Library, (Letitia F. Ivins, LIvins@arts.lacounty.gov, LA County Arts Commission 213-202-5859) $12K; 2008 Commission for the City of San José CA to design and install a large tile mural for the new SJFD Fire Station #2 (Jennifer Easton, San José Arts Commission, 408.277.5144 ext. 24, JEaston@bart.gov). $67K; 2007 Temporary hand-brushed mobiles for LAX Terminal 1 (Sarah Cifarelli, LADCA, Sarah.Cifarelli@lacity.org, 213-202-5562). $5K/year rental; 2006 Worked with Gruen Associate, Architects, on two exterior tile murals and walkway pavers for the new East Los Angeles Civic Center (Teresa Sanchez, AIA, Principal Associate,Gruen Associates, 6330 San Vicente Blvd., Suite 200, www.gruenassociates.com Los Angeles, California 90048 T 323.937.4270 F 323.937.6001 sanchez@gruenassociates.com); $54K; 2004 Worked with Widom Waine Cohen O’Leary Torasawa Architects for an interior mural and a series of pavers at the Los Angeles Police Department North Valley Police Station (Carrie Roche, 213-473-8570, croche@cad.lacity.org). $87K; 2004 A series of 10 small (1’x10’) bench tile at the new Port of Los Angeles Cruise Ship Promenade (Jody Rassell, fineartsservices@sbcglobal.net, 213-617-2217). $22K; 2003 Worked with Kiewit/Washington Design-Build Contractors on the artwork design and fabrication for the LA MTA Gold Line Heritage Square Station. (Alan Nakagawa, Senior Public Arts Officer, Metro Art MTA, One Gateway Plaza, Los Angeles CA 90012-2952 nakagawaa@metro.net, 213-922-2000) $110K; 2001 A series of 35 paver treatments using high fire glaze airbrush over photosilkscreen on broken tile with hand-rolled ceramic inserts; bordered with plate bronze plasma cut for additional ceramic inserts; Salt Lake City Downtown Renovation Project (Nancy Boskoff, 801-596-5000, arts@slcgov.com); $125K; 2001 A series of hand painted acrylic polymer murals on fiberglass mesh for the Juvenile Justice Center, Eugene OR (Kirsten Jones, 541-345-7563/485-3991); 2000 Mural of combined cut bronze with cut tile insets using airbrush glaze over silkscreen glaze; School of Pharmacy, University of Montana, Missoula. $30K; 2000 Two tile murals for the Jackson-Hartsfield Atlanta International Airport (David Vogt, 404- 530-4289, David.Vogt@atlanta-airport.com). $125K; 1999 Four acrylic murals on fiberglass mesh for the central atrium of the Interdisciplinary Research Center at North Carolina A&T State University in Greensboro (Linda Dougherty, contact Jeffrey York, jeffreyork@ncmail.net, 919-733-2882); $32K; 1998 15 life-size tile pieces for the exterior walls of the General Services Administration, Douglas AZ US Border Station (GSA Project Manager Esther Timberlake, 415-522-3162/3182); $28K 1996 Fulbright Teaching Fellowship at the National School of Fine Arts, Tegucigalpa, Honduras; taught mural painting and mixed-media; 1994 Commission from the Cleveland Regional Transportation Authority for 12 mixed media pieces on cut aluminum in the walkway between the Tower City Shopping Center and the Gateway Sports Complex (Jacobs Field & Cavaliers Arena), Cleveland, Ohio; 1989 Two donated mural projects at the invitation of the Nicaraguan Ministry of Culture at the Municipal Gallery and Catholic Community Center, Estelí, Nicaragua; Education 1976 MFA UCLA Awards 1995 Fulbright Teaching Fellowship, Honduras; 1987 Fulbright Research Fellowship, México; 1986 Brody Arts Foundation Grant; 1976 Ford Foundation Mexican-American Grant Peer Panels 2002 City of Los Angeles Cultural Affairs Department North Valley Police Station Public Art 1994 National Visual Arts Award, Tegucigalpa, Honduras. 1994 Los Angeles Metro Transportation Authority China Town Public Art Project. 1993 City of Los Angeles Cultural Affairs Department Institution Grants. Professional Membership Fulbright Association, Washington, DC Permanent Seminar of Chicano and Border Studies, National Institute of Anthropology and History, INAH, México, DF, México 9’-0”5’-4”PEDESTALS AT CALLE ESTADO PROJECT DESIGN PEDESTALS AT AVENIDA LA FONDA PROJECT DESIGN8’-0”7’-2”6’-6”7’-0” Kazimir Malevich, Arkhitektons, 1923 Hélio Oiticica, Magic Square, 1978 Philip Johnson, Kirstein Tower, 1985Sol Lewitt, Irregular Tower, 1997 Andrea Zittel, Planar Pavilions, 2017 Anne Truitt, Room 2 Installation, 2018Koloman Moser, Flower Stand, 1904 Sol Lewitt, Tower (DC), 1989 - 2009 Aili Schmeltz, 1:1:2, 2017 REFERENCES This proposal aims to activate the public space in La Quinta through a composition of carefully arranged sculptures called Planter Towers. The different colored faces of each Planter Tower engages the public as they move around the pedestals. The landscape-like towers are constructed using an arrangement of concrete masonry units. The masonry units come in a variety of shapes and sizes that could create an endless amount of compositions. Concrete masonry units have been used in related art projects for their modularity and durability. Upon stacking and coating the various masonry units into towers, drought tolerant plantings would inhabit the pockets created through the composition. STATEMENT PLANTER TOWER VARIATIONS PHASING STAGE 1: STACKING Concrete blocks are mortared and stacked. The blocks are filled with concrete and steel bar reinforcement. STAGE 2: COATING #1 Once stacked, the reinforcement is clipped and the blocks are covered in a concrete slurry mix. STAGE 3: COATING #2 The sculpture is coated a second time with a plaster or stucco. This layer allows for patterning, carving, or smoothing. STAGE 4: PAINTING/PLANTING The sculpture is painted and filled with drought tolerant plant species such as asparagus fern, african spear agave, little gem aloe, or red yucca. +++ +++ COMMON MASONRY UNITS SCULPTURE CONSTRUCTION PEDESTALS AT CALLE ESTADO PROJECT BUDGET PEDESTALS AT AVENIDA LA FONDA PROJECT BUDGET DESCRIPTION DESCRIPTIONAMOUNT AMOUNT ARTIST DESIGN AND PROJECT FEE (20%) Includes artist design fee and costs of managing the project. May also be used to pay artist’s assistants and other management consultants hired by the artist. 1,500.00 FABRICATION AND INSTALLATION (20%) Includes all costs associated with site preparation, subcontractor’s or masonry work, installation of artwork, lighting. 1,500.00 MATERIAL FEE (40%) Includes all costs associated with material handling, delivery, and on-site material management. 3,000.00 CONSULTANT FEES (5%) Required construction drawings or approvals by architect or engineer, lighting consultants, etc. 375.00 CONTINGENCY (10%) A fund to pay for unforeseen costs or changes associated with the artwork. 750.00 ARTIST TRAVEL (5%) When an artist is not local to the site, or has to travel to visit the fabricator. 375.00 7,500.00PROJECT COSTS: ARTIST DESIGN AND PROJECT FEE (20%) Includes artist design fee and costs of managing the project. May also be used to pay artist’s assistants and other management consultants hired by the artist. 1,500.00 FABRICATION AND INSTALLATION (20%) Includes all costs associated with site preparation, subcontractor’s or masonry work, installation of artwork, lighting. 1,500.00 MATERIAL FEE (40%) Includes all costs associated with material handling, delivery, and on-site material management. 3,000.00 CONSULTANT FEES (5%) Required construction drawings or approvals by architect or engineer, lighting consultants, etc. 375.00 CONTINGENCY (10%) A fund to pay for unforeseen costs or changes associated with the artwork. 750.00 ARTIST TRAVEL (5%) When an artist is not local to the site, or has to travel to visit the fabricator. 375.00 7,500.00PROJECT COSTS: Sage Vaughn City of La Quinta Art Pedestals Proposal Conceptual Budget 3000$ materials 2500$ metal cutting 2000$ metal ﬁnishing 1000$ paint and ﬁnish coating 1500$ CAD work 1000$ install 500$ transport 3500$ artist fee Bouquet, Great Park Art Walk, 2019 Powder-coated steel and aluminum 103 inches x 70 inches x 40 inches COMMUNITY SERVICES COMMISSION MINUTES November 12, 2019 COMMUNITY SERVICES COMMISSION MINUTES MONDAY, NOVEMBER 12, 2019 CALL TO ORDER A regular meeting of the La Quinta Community Services Commission was called to order at 5:30 p.m. by Commissioner Marley. ROLL CALL PRESENT: Commissioners Biondi, Blakeley, La Greca, Marley and Chair Wyler PLEDGE OF ALLEGIANCE Commissioner La Greca led the Commission in the Pledge of Allegiance. PUBLIC COMMENT ON MATTERS NOT ON THE AGENDA – None. PRESENTATION 1. DESIGN AND DEVELOPMENT PROJECT UPDATE – CHERI FLORES, PLANNING MANAGER Presented by Cheri Flores, Planning Manager The following project updates were provided: • California Desert Museum • SilverRock, currently in plan check for building permits: - Montage guest rooms and residences - Pendry guest rooms • Highway 111 corridor 2. LIBRARY – MELISSA LUNDELL, LA QUINTA BRANCH MANAGER Presentation cancelled and rescheduled for the next meeting. CONSENT CALENDAR >>>Consent Calendar item addressed after Departmental Reports<<< 1. APPROVE MINUTES OF SEPTEMBER 9, 2019 MOTION - A motion was made and seconded by Commissioners La Greca/Blakeley to approve the Consent Calendar as submitted. Motion passes unanimously. BUSINESS SESSION (MOTION REQUIRED) 1. APPOINT TWO COMMISSIONERS TO SERVE ON THE ROUNDABOUT ART SUB- COMMITTEE Presented by Chris Escobedo, Community Resources Director Roundabout Art Sub-committee: Comprised of 2 members each of the Cove Neighborhood Association and Community Services Commission CONSENT CALENDAR ITEM NO. 1 COMMUNITY SERVICES COMMISSION MINUTES November 12, 2019 Duration: 6 – 12 months Meeting frequency: 1/month to develop content, possible increase (biweekly) as site planning and site scoping are introduced Committee recommendations to be submitted to Commission for approval MOTION - A motion was made and seconded by Commissioners La Greca/Blakeley to appoint Commissioners Wyler and Biondi to serve on the Roundabout Art Sub- committee. Motion passes unanimously. 2. APPROVE RESCHEDULING OF NEXT REGULAR COMMUNITY SERVICES COMMISSION MEETING Presented by Chris Escobedo, Community Resources Director Captain Reynolds provided a brief history of the Blue Light Ceremony and requested permission to use the Study Session Room on the same evening as the regularly scheduled Community Services Commission meeting. MOTION - A motion was made and seconded by Commissioners Marley/Blakeley to cancel the next regular meeting of December 9, 2019. Motion passes unanimously. DEPARTMENT REPORTS 1. INDIAN WELLS LA QUINTA IRONMAN 70.3 UPDATE Presented by Jaime Torres, Analyst. Traffic Control: • Strike and deployments plans finalized (La Quinta race portion only) • Riverside County (County) has their own plan for that portion of the race o County recently made a change to their portion of the route Outreach Plan/Community Open-Houses: • Updates and announcements via Nixel mobile app (text IWLQ to 888777) • Additional signs to be installed • 2 rounds of mailers to residents and businesses Ironman Village December 6 – 8, kick-off event Captain Reynolds spoke to last year’s challenges regarding directing traffic. This year, officers will be briefed of their assigned areas prior to event. Ironman hired a local volunteer coordinator which proved to be effective. 2. FRITZ BURNS POOL UPDATE Presented by Christina Calderon, Community Resources Manager • Palm Desert Aquatic Center temporary alternative for La Quinta residents • Staff and Desert Recreation District considering Grand Opening after the pool heater is installed COMMISSIONER’S ITEMS EVENTS ATTENDED • SPECIAL JOINT MEETING – COUNCIL & PLANNING COMMISSION – OCTOBER 29 COMMUNITY SERVICES COMMISSION MINUTES November 12, 2019 • BREW IN LQ – NOVEMBER 2 • FACILITY TOUR – NOVEMBER 1 & 7 • VETERANS DAY CELEBRATION – NOVEMBER 11 ADJOURNMENT There being no further business, it was moved and seconded by Commissioners Blakeley/Biondi to adjourn the meeting at 6:00 p.m. Motion passes unanimously. Respectfully submitted, LISA CHAUDHRY, Community Services Commission Secretary City of La Quinta, California HAND OUTS COMMUNITY SERVICES COMMISSION MEETING JANUARY 13, 2020 POWER POINTS COMMUNITY SERVICES COMMISSION MEETING JANUARY 13, 2020 COMMUNITY SERVICES COMMISSION January 13, 2020 1 Community Services Commission Meeting October 14, 2019 Community Service Commission P1 – 2020 US Census 1 2 COMMUNITY SERVICES COMMISSION January 13, 2020 2 Community Partnership and Engagement Program (CPEP) Engage organizations & individuals to reach out to hard to count groups and those who aren’t motivated to respond to the national campaign Educate people about the 2020 Census and foster cooperation Encourage community partners to motivate people to self‐respond ENROLLING PARTNERS What Does the Census Bureau Do 4 Largest boots on the ground organization next to the US military 3 4 COMMUNITY SERVICES COMMISSION January 13, 2020 3 1790 – FIRST CENSUS Thomas Jefferson was charged with overseeing the very first Census He noted that the Southwestern portion of the Country was most important. Southwest just as important in 2020 Difference being? 5 6 This section establishes that every 10 years, every adult in the country must answer a survey. Based on the surveys, Congress must determine how many representatives (at least one required) are to come from each state and how federal resources are to be distributed among the states. It’s In The Constitution Article 1, Section 2 of the U.S. Constitution 5 6 COMMUNITY SERVICES COMMISSION January 13, 2020 4 7 How The Data Is Used 8 7 8 COMMUNITY SERVICES COMMISSION January 13, 2020 5 Pencils & Potholes 9 •Allocation of dollars back to states and communities (Almost $700 Billion Annually) •Under count = approximately $2000 per person on an annual basis, $20,000 over 10 years •(CDBG) Block Grants New Ability to Self Respond Starting March 23, 2020 •Internet •Phone •Paper Form Or traditional in‐person interview 9 10 COMMUNITY SERVICES COMMISSION January 13, 2020 6 11 The census is confidential and required by Law. Results of the census are reported in Statistical format only. We do not share personal information with other government agencies or law enforcement. All census employees swear to a lifetime oath to protect respondent information. Penalties for wrongful disclosure –Up to 5 years imprisonment and or a fine of $250,000. Confidentiality Title 13, U.S. Code 12 Before you answer Question 1, count the people living in this house, apartment, or mobile home using our guidelines. Count all people including babies, who live and sleep here most of the time. If no one lives and sleeps at this address most of the time, go online at survey.census.gov or call the number on page 8. The Census must also include people without a permanent place to live, so: If someone who does not have a permanent place to live is staying here on April 1, 2020, count that person. The Census Bureau also conducts counts in institutions and other places, so: Do not Count anyone living away from here, either at college or in the Armed Forces. Do not count anyone in a Nursing home, jail, prison, detention facility, etc, on April 1, 2020 Leave these people off your questionnaire, even if they will return to live here after they leave college, the nursing home, the military, jail, etc. Otherwise, they may be counted twice. Census Instructions 11 12 COMMUNITY SERVICES COMMISSION January 13, 2020 7 Census Questionnaire 14 13 14 COMMUNITY SERVICES COMMISSION January 13, 2020 8 (ROAM) Response Outreach Area Mapper 15 (ROAM) Response Outreach Area Mapper 16 15.0% 15 16 COMMUNITY SERVICES COMMISSION January 13, 2020 9 17 Identifying hard-to-count populations Racial and ethnic minorities Lower income Persons who do not speak English fluently LGBT Undocumented immigrants Children under 5 People experiencing homelessness Tribal members Rural Communities Supporting Linguistic Diversity Available in Spanish Enumerator Instruments (hand‐held) Paper questionnaire and other mailings Field enumeration materials Internet option and Census Questionnaire Assistance (CQAs) will be available in 12 non‐English languages Spanish, Chinese (simplified), Vietnamese, Korean, Russian, Arabic, Tagalog, Polish, French, Haitian Creole, Portuguese, Japanese Items available in 59 non‐English languages Language glossary Language identification card 18 17 18 COMMUNITY SERVICES COMMISSION January 13, 2020 10 How Do I Become a Partner 19 Include information about the 2020 Census in e‐mails, correspondence, or a web banner. Provide a link to the 2020 Census on your Web site. Launch social media campaigns or host Twitter chats or Facebook Live events on 2020 Census job opportunities and the 2020 Census to educate your customers, employees, and members of your org. Invite a Census Bureau speaker to your organization or event. Submit online letters to the editor, op‐ eds, and commentary on why participating in the Census is so important to you and all. Provide free online advertising opportunities to promote the 2020 Census and job openings. Launch text message campaigns to promote the 2020 Census and related job opportunities. Actively monitor, fact check, and correct misinformation on social networks about the 2020 Census. Post and distribute 2020 Census materials on privacy and confidentiality to employees, constituents, and customers, both in hard copy and through online channels. Open your offices for Census Workshops and hold one yourself. Complete Count Committees Background and Structure 20 Schedule CCC Training Today 19 20 COMMUNITY SERVICES COMMISSION January 13, 2020 11 21 201720172017 2018 2019 2020 2021 Los Angeles Regional Census Center The Census Center is located in downtown Los Angeles LARCC covers 7 states: CA, NV, ID, OR, WA, Alaska & Hawaii 22 21 22 COMMUNITY SERVICES COMMISSION January 13, 2020 12 23 WE’RE HIRING Jobs Hotline: 855‐JOB‐2020 Management Positions www.usajobs.gov Office & Field Positions www.2020census.gov/jobs Contact Information Doug Hassett Partnership Specialist, Los Angeles Region Territory: Riverside County Douglas.d.hassett@2020census.gov 760‐693‐2491 24 23 24 COMMUNITY SERVICES COMMISSION January 13, 2020 13 Community Service Commission B1 – Approve second-round of pre- qualified artist list Pre-Qualified Artists •Curator: A content specialist charged with an institution’s collections and involved with the interpretation of heritage material. •These Artists want to work with you. •Focus on artist’s capabilities; they’ll create art unique to La Quinta. 25 26 COMMUNITY SERVICES COMMISSION January 13, 2020 14 JOHN CUEVAS PATRICK SHEEHAN 27 28 COMMUNITY SERVICES COMMISSION January 13, 2020 15 PHILIP VAUGHN Questions? 29 30 COMMUNITY SERVICES COMMISSION January 13, 2020 16 Community Service Commission B2 – Approve artwork for art pedestals Art Pedestals •Two pedestals –Avenida La Fonda & Avenida Bermudas –Calle Estado & Avenida Bermudas •Unique to La Quinta •Will serve as Village corridor cultural assets 31 32 COMMUNITY SERVICES COMMISSION January 13, 2020 17 Roberto L. Delgado Office Kovacs 33 34 COMMUNITY SERVICES COMMISSION January 13, 2020 18 Sage Vaughn Bouquet, Great Park Art Walk, 2019 Questions? 35 36 COMMUNITY SERVICES COMMISSION January 13, 2020 19 Community Service Commission D1 – Fritz Burns pool update Fritz Burns Pool Update •Pool heater scheduled for completion Thursday, Jan. 16 •Pool operations to resume on Monday, Jan. 20 •For pool program information or to register, visit DRD’s website MyRecreationDistrict.com •Pool programs also available on the City website www.laquintaca.gov/fbpool •Desert Recreation District is coordinating Grand Re- opening event for the 1st week in February 37 38 COMMUNITY SERVICES COMMISSION January 13, 2020 20 Community Service Commission D2 – Fritz Burns Park space Community Service Commission D3 – Complete Streets update – Phase II 39 40 COMMUNITY SERVICES COMMISSION January 13, 2020 21 Community Service Commission D4 – Short-term Vacation Rental Ad Hoc Committee update Community Service Commission C1 – Approve November 12, 2019 minutes 41 42 COMMUNITY SERVICES COMMISSION January 13, 2020 22 Community Service Commission Commissioner’s Items Meetings /Events Attended Event Date Special Joint Meeting - Council & Planning Commission November 21, 2019 Tree Lighting Ceremony December 6, 2019 Ironman 70.3 December 8, 2019 2020 Community Workshop January 11, 2020 43 44 COMMUNITY SERVICES COMMISSION January 13, 2020 23 45